“We are the flesh” broke my mind

So what if you came across some information about an alleged “horror” movie which featured unsimulated sex between two adult actors who were, by the way, playing siblings…AND this film happens to be on Tubi?

Would you go “nah I’m good?”

OR

Would you say “yup, that sounds right up my ally”?

Be honest now, God’s watching.

Unfortunately this movie hit me at the right time. Not because of the sibling fucking and rock hard penises (and some vagina) throughout, but because the film’s subject matter appears to be “truth” itself.

http://www.audienceseverywhere.net/we-are-the-flesh-is-a-work-of-near-brilliant-anti-art-depravity/

What’s We Are The Flesh about? I honestly don’t know. Click the link above if want to find out more. It’s a Mexican film. I didn’t watch it with subtitles on. And I don’t speak Spanish. 🤷‍♂️ Plus I’ve got a terrible memory.

Nevertheless, I think it got its point across, which makes it a success in my book.

As the review above stated, it will draw comparisons to other movies in the “shock film” genre, but it lacks a little less punch. That might come as a disappointment to horror film buffs, but I think this was done deliberately.

In fact, the movie concludes (if my memory is correct) with someone getting up from a completed orgy, leaving the set, and walking out onto a normal busy street.

I’m assuming that person was meant to be “us”…the audience…just getting up and leaving the theater then going about our normal day after watching an hour and 15 minutes worth of people fucking and occasionally killing/raping on a very claustrophobic set.

I don’t recall the violence being particularly brutal, at least compared to other films in this genre, but the sex, of course, was. At one point, we’re just staring at a bare vagina and anus and then a penis and ballsack.

Why?

I dunno.

But as the review pointed out, we’re being forced to ask ourselves if there’s any artistic merit to any of this.

“Sounds pretentious,” you might say. And I agree. But the film is slapping you across the face with this question…because you’re staring at a penis and vagina for a GOOD 30 seconds each…almost as if it’s a commentary on filmmaking itself!

When it comes to the finer philosophical points to the film, I’ll defer to the review, as it explains them in far better detail than I ever could. But this movie really did break my mind.

I’ve never seen any film…or any piece of art PERIOD (except for a piece of long fiction that I recently completed, which I might go into detail about at a later time)….say SO much while simultaneously saying absolutely NOTHING.

…much like how TRUTH itself operates.

a shot at the title VI: still shootin’

At the premier, Pablo, Pee-Wee, and Dick Earnhardt were all decked out in their tuxedos. Kathrine was wearing her Louis Vuttoin gown, smiling and waving to the cameras. Even Dillon made an appearance.

I just threw on a clean shirt and cologne and called it a day.

At the press junket, I was asked “how would you describe this film?”, I said:

“Well it’s got some tits, dick, goblins, and swords. It’s alright I guess.”

We all sat down in our seats. When the title This Tastes Like Ass appeared on the screen, I fell asleep.

Pee-Wee nudged me when the end credits were rolling. The audience was walking out and wouldn’t make eye contact with me.

I went home and cracked open a beer. “Take that Hollywood!” I said. Then went to bed.

The next morning, critics presented their reviews:

“A cinematic experience that can’t be matched. It’s literally impossible,” read the Fort Worth Telegram.

“The filmmakers were clearly drugged out of their minds, but damn it, it works. It’ll make you horny. It’ll make you laugh. It’ll make you depressed to the point of insanity. But there’s something there that transcends the capabilities of human language,” read the Des Moines Register.

The reviews were unanimous: the gratuitous nudity, the unsimulated sex from A-list stars, the excessive violence, the absurd and almost non-existent plot…it was unique in the history of film. Nothing could compare.

When I accepted my Academy Awards (not THOSE Academy Awards) for Best Actor, Best Director, and Best Screenplay, I said:

“All you mother fuckers doubted me. You said I was too old, too stupid, and too ugly to make it in this town. Well now look at me. I’m up here and you’re down there. You’re all sick and pathetic.”

Kathrine received her accolades as well. As producer, she was awarded the Best Picture Oscar (again, not THOSE Oscars). She later succeeded Dick Earnhardt as CEO after his untimely death from viagra poisoning. She became the toast of the town.

But my point was made.

A reporter later came to me and asked, “Now that you’ve conquered Hollywood, what are you going to do now?”

I responded, “Go home and take a shit.”