I had an existential crisis after watching The Odyssey. The film was good—if not great—don’t get me wrong. But I kept finding flaws: Tom Holland was boring; the story ends 20 minutes after its emotional climax; some of the back stories were difficult to follow; where the hell was Logan “Not Tom Hardy” Marshall-Green? Etc etc.
Then I realized something: am I the problem?
Christopher Nolan has done something that no other filmmaker has ever achieved. The Odyssey, if not many other titles in his filmography, is foolproof. You can find flaws until cows come home but none of it will matter. Even Nolan’s biggest hater — along with the right wing trolls pissed off over his casting choices — will have to admit that no matter its shortcomings, The Odyssey is a great movie.
And how he does it is no secret. It’s all right there in front of you: big ideas, big emotions, hire the best in the business. When Nolan introduces one big idea, seconds later he’ll introduce another big idea. If he doesn’t have an interesting plan on how to stage an action scene, fuck it! He’ll let the music and sound carry the weight. The only way he could have failed is if he had chosen uninteresting source material or ran with an original concept. And obviously that’s not what happened. Nolan made a film adaptation of the literal bedrock of the Western canon.
In short, there was no way that Christopher Nolan could have failed here. It was genius. I haven’t been the biggest Nolan fan, but he absolutely destroyed my every attempt to hate this movie. It nearly killed me.
So I’m gonna be real with you folks, The Odyssey is on par with Lawrence of Arabia, Ben-Hur, or any other great Hollywood epic. That’s just a fact. But then again, perhaps we’ve been fed CGI slop for so long that it’s refreshing to see real actors on real sets.
So just a tip for Hollywood execs, take a step outside the studio on occasion.
