An event happened

The world’s a better place because of The Adam Friedland Show. The worst member of the hugely influential Cumtown podcast has made quite a name for himself. Since its inception, TFS has had such notable guest like Neil DeGrasse Tyson and Chris Cuomo grace its halls.

Now it’s Paul Schrader’s turn in the chair.

I’ve long stated that Schrader is probably the greatest screenwriter of all time. To see him essentially do an episode of Cumtown sans Nick Mullen and Stavros Halkias is a bit much for my mind to handle. The episode begins with Friedland remaking Taxi Driver to a montage of a song called “Fuck me in my ass” and then showing the film to a Jewish producer from Louisiana named Gary Pennis Fagot. And while Schrader attempts to wax philosophical in his interview, Friedland steers the conversation towards the size of Willem Dafoe’s penis. The episode ends on an eyebrow raising discussion on pedophilia and Schrader announcing his need to take a shit/piss. It was everything that I hoped it would be.

I can’t wait for the interview with Barack Obama.

Otto focus

I make no secret of my love for Paul Schrader. As far as being a screenwriter, he’s the GOAT.

Unfortunately he didn’t write Auto Focus, he only directed. Still though, it’s familiar territory for him: sexual obsession, loneliness, religious struggle, etc etc.

Watching Willem Dafoe and Greg Kinnear beat off together while they watch their own sex tapes is cinematic gold. My only complaint about this movie is that it should have been LONGER.

Honestly, this hit a little too close to home. If you’ve never been in a friendship like the one between Bob Crane and John Carpenter you might not understand. But these kinds of relationships exist among two (mostly heterosexual) men who are cocksmiths.

In sum, this film exposes the dark side of “bromance”.

light sleeper

On the Mount Rushmore of cokeheads, Paul Schrader is between Dennis Hopper and Phil Specter (along with Stevie Nicks of course). Which is why I was excited to see Light Sleeper available to watch on Amazon Prime.

It’s definitely not a perfect film. Willem Dafoe plays an aging drug delivery boy employed by Susan Sarandon who runs into an ex flame which leads him to shoot up a hotel room (we’ve all been there). It’s a movie that should have been fleshed out more. The climax (the shooting up of a hotel room) didn’t quite pay off, and the sudden romantic interest between Sarandon and Dafoe in the end was odd, but there’s a lot of other things going for the film.

The sanitation strike, which played in the background and was often juxtaposed against the high class NYC lifestyle, was a nice touch. But the desperation of Dafoe’s character is absolutely heartbreaking.

I get what that’s about.

Dafoe is aimless. He wanted to be an actor, model, musician, and writer. His best years were spent strung out on drugs. Now he’s 40 and lacks focus.

Subtlety, Sarandon is in a similar position. She plays the boss but she knows the gravy train is about to leave the station. She thinks she’s some NYC hotshot, but by looking at her shitty apartment, she’s probably on the outside looking in.

Now that I type that out, suddenly Dafoe and Sarandon’s abrupt romantic interest becomes apparent: they’re both losers and now they have to settle for each other.

The soundtrack is incredible, for both good and bad reasons. The music itself is great. Where it goes off the rails is the damn singing. The visuals are powerful enough that you don’t need to be told how Dafoe’s character is feeling. Anybody could have written those lyrics. For example (in the style mimicking Bruce Springsteen):

I am walking down the street at night

I run into my ex girlfriend

We get into a little fight

I feel so sad that I just might

Stalk her at her mom’s funeral

Then she gets sad as well

Then we reconnect and start to kiss

She complements my erection

Then she tells me that she’s sopping wet

So we fuck all night then tells me to leave

Then I find out she’s back on drugs

Then she jumps out a window to her death

So I buy a gun from Puerto Rican man

Then I ride in limo with Susan Sarandon

Then I shoot up a hotel room

(Lyrics by Michael Been)

Despite all of that, this is a nice forgotten gem from the mind of Paul Schrader.