the last temptation of Christ- by nikos Kazantzakis

Look, I’m not a particularly religious person.

Why I obsess over Jesus and the New Testament, I don’t know. Just do. Get off my ass.

But I just started reading The Last Temptation of Christ by Nikos Kazantzakis. I’m only about halfway through it, it’s a long book. I don’t expect any twists and turns to a story that I’m already familiar with.

But the book is nothing like the film, let’s just get that out of the way.

I couldn’t have written in a million years. It reads like an extended version of the Gospels. But it weaves between perspectives-from Jesus (Son of Mary, as he’s often called), to Judas, to Mary (wife of Joseph) to Mary Magdalene, to the Apostles, etc-to create a rich tapestry of these events. Because Kazantzakis writes like the authors of the Gospels, the book actually breaths life into the books of Matthew, Mark, Luke, and John.

While reading it, I honestly forget that this book was deemed “controversial”. Of course, I haven’t gotten to the “last temptation” part, which might understandably piss some people off, but as Kazantzakis explains in his prologue, Jesus (at least if you’re Christian) was both full divine and fully human. Can you imagine the burden of having to live with that? Everyone hears about the “divine” part. But no one wants to confront the “fully human” part. So Kazantzakis takes that perspective and runs with it.

Anyways, finished taking a shit. Gotta get back to work.

BYE ✋

im stupid

I don’t always agree with Bart Ehrman.

He’s an excellent biblical scholar, but a little too conservative for my tastes as a historian. This occurred to me while I was watching him get ambushed by both Christians and atheists during a Zoom call.

If I’m correct in my understanding…and remember I’m a dumbass…then Ehrman’s argument regarding our access to the original intentions of the New Testament texts are completely lost. We cannot know what “Mark”, for example, originally wrote. Not only would this be true for all biblical texts, but virtually ALL ancient texts as well.

In my view, this is an extreme form of skepticism which throws our understanding of history out the window. The entire historical record would be in jeopardy, a point which Ehrman himself seemingly concedes (unless, of course, the record can be confirmed by other sources i.e. archeological, DNA, etc.)

I guess this sounds extreme-having to take the accuracy of ancient historical accounts basically on faith (especially when they sound plausible, but lack supporting evidence)-but what other option do we have until the facts prove otherwise?

I suppose this line of reasoning is how Ehrman can reconcile his certainty that Jesus existed with his extreme skepticism of the historical accuracy of the Gospels.

“joseph campbell”

I was watching Bart Ehrman debate some dude, forgot who, and he mentioned the non-canonical early Christian text, Apocalypse of Peter (never read it). The text describes heaven and hell, with descriptions of hell being far more creative than those of heaven. Point being, as Ehrman explains (paraphrasing): “there are only so many ways to describe eternal bliss”, while the imagination on eternal damnation knows no bounds.

It’s not really a revolutionary observation, I know, but that’s true in all our storytelling: “heaven” is a place of temporary stability before “hell” comes along and propels the plot forward. Therefore much of the creative energy behind a story lies in the “hell” of it all.

In other words, story is conflict.

But I think Ehrman’s statement is also a reflection on the nature of language. I’ve always found that imaginative descriptions of dread, anger, depression, anxiety, etc. to be far more creative and rewarding than depictions of bliss. Heaven, beauty, bliss, etc lie in the realm of the sublime, and therefore transcend the possibilities of language.

However, that might just be a reflection of my own deranged mind.

Whatever dude, shit’s boring.

just one more thing..

So I was eating a bag of skittles when the phone rang.

“What do you want?” I asked.

The woman over the phone spoke. “Hi, this is Arianna. We talked last week. Just want to know that I’ve been fantasizing about you. I’m really, REALLY horny. I want to come over, sit you down, take you in my mouth then ride you as you slide in and out. I want to taste you. I want to feel you inside me. Just the thought of your cock makes me quiver with excitement. Please let me come over. Please PLEASE have your way with me.”

“Sorry, watching Columbo,” I said. Then hung up.

Fisher: Miami Cop

White Collar inspired me to come up with my own totally non-offensive crime procedural.

So Hollywood, if you’re reading, I present to you Fisher: Miami Cop, starring Rob Gronkowski as the Hawaiian shirt wearing, vaguely racist homicide detective with a penchant for hard drinking and always shooting first.

After coming off his suspension for domestic abuse and vehicular manslaughter, Fisher is given a partner: the saucy Latina Arianda Morales.

“But Chief,” Fisher says, “I don’t work with the Cubans OR the Chinese.”

But he quickly changes his mind when he sees that she’s hot.

Fisher and Morales come to a greater understanding of each other and their cultural differences. Every episode ends in playful banter, culminating in Fisher’s famous catchphrase: “get off my ass, bitch!”

Fisher: Miami Cop coming to CBS.

update

Bad news: the blog’s gone downhill and I’m powerless to do anything about it.

Good news: I’ve updated the website format.

As for the quality of content, sorry. I’ve been going through writer’s block since the beginning of September. Don’t know what to do about it. I’m gonna write till something hits. Maybe a change in format will polish this turd up.

So the shit posts will keep flowing. Oh well 🤷‍♂️

“white collar”-what’s this show about?

Are some shows made to be played in the background while you do more important things?

The answer is yes.

White Collar is probably my favorite in this genre. I might’ve seen every episode. And I have no idea what it’s about…Two closeted FBI agents-one in a homosexual relationship with a conspiracy theorist, the other married to Kelly Kapowski-who conceal their feelings for one another which leads to palpable sexual tension as they investigate white collar crimes? 🤷‍♂️

If so, then the subject matter was ahead of its time.

Anyways, it’s a pretty inoffensive show. No nudity, no blood, few cuss words. Nothing grabs your attention. I put it up there with JAG, NCIS, And Matlock. It’s a good show to distract grandma from her impending death (despite the gay overtones).

I’d love to work on one of these shows.

hott 70s dudes

Of course Burt Reynolds was the epitome of rockin 70s bods. But the decade was littered with dudes with underrated man bods in all their hairy glory.

So here’s a shoutout to a few of my favorites

Harvey Keitel

Keitel’s body is probably the most underrated bod in all of cinema history. Low key jacked.

Martin Sheen

Don’t deny it. You had a lady boner when you saw Martin Sheen in Apocalypse Now.

Roy Scheider

Ladies (or men), this is what I look like with my shirt off.

Kris Kristofferson

Hot! (Barbara Streisand looks good too)

Sean Connery

Some might say 60s or 1983 Sean Connery was when he was in peak physical form. I disagree. It was in 1971.

the last temptation of christ-a film by martin Scorsese

A lot of people don’t know this about me, but between laughing hysterically at shit and cum jokes I obsess over the historicity a man named Jesus of Nazareth, aka our Lord and Savior.

I even read the New Testament in Koine Greek (it’s a lot easier than you think).

For the record, I’m not a “mythicist”-or those that believe Jesus was a myth that the Romans or later believers fabricated. That’s stupid. Modern archeology and scholarship affirm that Jesus almost certainly existed.

Sure, some of my opinions my be a little bit outside the mainstream. I tend to agree with John Dominic Crossan’s assessment that perhaps Jesus’s ministry needs to be viewed in light of Roman authority. The Roman’s notoriously ruled with an iron fist. Jesus, by contrast, appeared more as a pacifist that appealed to neighborly love. His “Kingdom of God”, which Jesus almost certainly believed was going to be on earth rather than in some supernatural realm, directly challenged Roman Rule. So in many ways, Jesus was more than just a religious figure-he was a political one (not that anyone distinguished between the two in those days). Could this be wrong? Sure. But I think this view is worth taking seriously.

When viewed in this light, Jesus’s message remains just as radical today as it was in the first century AD: it was a direct challenge to the violence of the era.

But another interesting perspective on early Christianity is how it provides insight into the nature of radical politics: it starts off as fringe then branches off into rivaling sects before becoming mainstream. Once it becomes mainstream, it becomes orthodox and therefore conservative-if not authoritarian-in nature.

I’ve always thought that this subject, the “real” Jesus, would make an excellent film.

Unfortunately no such film has been made.

So the next best thing is Martin Scorsese’s The Last Temptation of Christ, based on the novel by Nikos Kazantzakis.

Is it a perfect film? No. I can appreciate some of the modern characterizations of Jesus, the Apostles, Judas Iscariot, and so on. But Paul Schrader’s dialogue comes across as academic, which at times undermines the effectiveness of the story.

But Scorsese’s frenzied take on a familiar story is refreshing. Of course Peter Gabriel’s soundtrack might be one of the best in film history (a hill I’m willing to die on).

What I love most about this movie though is it’s influence on my favorite film franchise: the James Bond series.

“The fuck are you talking about?” you might ask.

Think I’m crazy? Well you’re right. But I’m also correct.

Watch the final act of The Last Temptation of Christ. Then go watch the final act of Casino Royale.

Coincidence? I think not.