Somebody stop this man

I was having a good day. I had a good clean, 30 minute shit. Had some ice cream. Drank some coffee. Then I had another 30 minute shit. The only thing that could have ruined this day was learning that Niell Blomkamp was going to remake Starship Troopers.

https://www.hollywoodreporter.com/movies/movie-news/new-starship-troopers-movie-in-the-works-1236163598/

I don’t need to remind my audience that Paul Verhoeven went on an unholy terror through Hollywood from the late 80s through the 90s. He arguably made three of the greatest modern sci-fi classics: Robocop, Total Recall and Starship Troopers. Two of those movies have already been remade with iffy results I might add. Do they think the third time’s a charm?

I will say though that Blomkamp does have an it factor despite all his flaws. He understands the language of cinema, even though it has only came together once beautifully. And that was nearly 20 years ago with District 9. So in his defense, I would love to see Niell hit another one out of the park. I just wish it wasn’t Starship Troopers.

I mean, isn’t there another Robert Heinlein book he could make? I’m pretty sure there’s a wealth of material there.

But judging the politics of Blomkamp’s other films, I don’t suspect he’ll be embracing some of Heinlein’s more “fascistic” undertones. Yet that was the genius of Verhoeven’s satirical take. He didn’t really make us “judge” the morality of Heinlein’s work. He wanted us to either laugh at or be utterly horrified by it in the way that only the director of Robocop can do. It is, at face value, a reactionary film told from a reactionary perspective, except the audience is in on the joke. It was the correct take and Verhoeven threaded that needle perfectly.

Blomkamp, I fear, might go a little heavy handed with it. While I think he’s great with visuals and pacing, his weak spot is screenwriting. That’s a big one. Chappie and Elysium could have been great. But there was something lacking there that could have delivered an emotional punch had the script been cleaned up a bit. My hope is that he won’t overcomplicate things. Blomkamp is pretty damn good at giving us a fulfilling meal in an under two hour runtime. He doesn’t need to change that up now. Just keep it simple. No interwoven narratives; A leads to B which leads to C and so on, and it all culminates in a satisfying and emotional climax.

You’ve done it before, Neill. You can do it again.

‘the internet ruined everything’s’ canon of greatest films ever made

You know what the internet needs? Another list of greatest movies.

So, in no particular order:

The Deer Hunter (1978): I’ve discussed this movie at length numerous times. I think it’s the greatest example of the power of filmmaking.

Robocop (1987): For the simpletons, this is just another 80s action film. For those that know better, it’s the greatest satire ever made. But each time I watch it, the more horrified I become. The idea of “Robocop” is terrifying. Imagine getting killed in the most violent way, then you get revived and made property of an evil corporation and begin to struggle to understand who or what you are. Hollywood is a lesser place without Paul Verhoeven.

-The Thin Blue Line (1988): This, along with Errol Morris’ (currently known for directing Chipotle commercials) Vernon, Florida are my two favorite documentaries. This is the story about a killing of a Dallas cop and a man getting rear ended by the justice system. I love Randall Dale Adams. He’s an everyday dude that took an unfortunate trip to Texas. We’ve all been there.

Star Trek II: The Wrath of Khan (1982): Yes, I’m a Trek fan. While every nerd has seen this movie dozens of time, I don’t think it gets the credit it deserves. It’s not really sci-fi, it’s more of a Shakespearean tragedy in space. In many ways, this film revived Trek. And director/writer Nicholas Meyer, who knew nothing of Star Trek prior to this, deserves credit.

Dances With Wolves (1990): I will go to my grave saying Kevin Costner deserved his Oscar. Fuck Martin Scorsese.

Taxi Driver (1976): We all know Martin Scorsese is a genius. And Paul Schrader may be the greatest screenwriter of all time. In the era of angry, lonely young men roaming the internet, this movie was well ahead of its time.

2001: A Space Odyssey (1968): if you’re gonna do science fiction, do it right. Everybody knows this movie. And because this movie rightfully gets the credit it deserves, we take it for granted. But, to this very day, it is the most ambitious film ever made.

The Taking of Pelham One Two Three (1974): I love movies that satirize a very serious situation. It’s kinda like Dr. Strangelove, albeit this film is dealing with a much less serious subject: the taking of hostages. Every actor is great, but Walter Matthau was an unusual talent. His face alone could carry a film.

No Country For Old Men (2007): The best movie made in the last 20 years. Cormac McCarthy may be the greatest living author and it ain’t easy adapting his work for the big screen. The nihilism, the existential themes, Javier Bardem, the vast, empty Texas landscape… “okay, I’ll be a part of this world.”

Blood Diner (1987): Most fans of the B-movie, cult genre are familiar with this film but it should be more widely known with general audiences. Probably the funniest fucking movie I’ve ever seen.