
Losing Norm McDonald back in September was hard enough.
And now we lose Bob Saget!
I think the lesson here is obvious: nothing good happens in Orlando, Florida.
RIP Bob

Losing Norm McDonald back in September was hard enough.
And now we lose Bob Saget!
I think the lesson here is obvious: nothing good happens in Orlando, Florida.
RIP Bob

âAll of philosophy is merely footnotes to Alfred North Whiteheadâ -Alfred North Whitehead (1861-1947)
RIP đđđ

âAm I in heaven? What happened to me?â I asked myself.
âICU,â the doctor said.
THE END

Sorry, I was high on gas fumes and aerosols when I wrote my last post. It kinda went off the rails there towards the end.
So allow me to muddy the waters a bit more.
Fundamentally, I think that âeverything is ideologyâ (a lot of people have thought about this long before me). And I mean EVERYTHING: objects, sex, relationships, beauty, art…everything. To break these things down to their smaller components would reveal true horror: your food is dead animals and vegetables, sex is exchanging of gross bodily fluids, etc. So we have to sublimate these objects into ideas…hence âeverything is ideologyâ.
Which is perfectly acceptable! Humans are both blessed and cursed by logic and reasoning because these functions often reveal the nothingness behind everything. Thus, REAL truth is terrifying and ultimately meaningless, so the âmaskâ of ideology is the only ârealityâ that matters. Sometimes existential dread ensues because of this. Therefore sublimation, in the Freudian sense, is helpful in constructing a healthy view of the world.
Which is why I sometimes praise religion and SOME politics, provided they promote peaceful coexistence and openness. Clearly sublimating into certain ideologies can lead to straight up derangement. So, therefore,âsublimate wellâ.
poop

I never thought anyone would take my shit posting seriously enough to write out an entire comment longer than the initial post itself. But I forget, âthe internet ruined everythingâ.
Btw, this comment was made on my âyour damn right ignorance is bliss!â post.
I donât know if this person was real or some bot trying to spread some article around (about COVID, a subject that I donât recall discussing on this blog), but my response was âthe post was a jokeâ.
But then I got to thinking: was I joking?
Sure, the intent was to post some stupid thought that crossed my mind. But the more I think about it: hell yeah an existence void of desire and knowledge of good and evil sounds pretty damn good!
Of course, thatâs not how my hater saw it. He/she thought I was embracing âkeeping the masses ignorantâ, or âlistening to establishment propagandaâ, or blah blah blah.
I get it. I got lost down that road of political ideology too. Iâve spent all of 2021 trying to get over it. Thatâs why I created this blog for fuckâs sake.
But there is no truth in ideology. Thatâs why itâs ideology. We have to form these ideologies. You know why? Because the truth is too terrifying to handle.
Thatâs why I always thought that Platoâs Allegory of the Cave, the shit in The Matrix, âthe truth shall set you freeâ, etc. kinda miss the point. To get the gist of what Iâm trying to say, Slavoj Zizek, whatever you think about him, once said about the shitty film The Joker (paraphrase): âitâs through the mask that we can be our true selves.â
Because there is nothing underneath the mask.
So you want the truth?
Here it is:
The âestablishmentâ, however you want to define that, doesnât give a shit about you. They donât even give enough of a shit to form a conspiracy to fuck with you. They donât think about you. They donât fear you.
You are nothing.
You were born from standard biological processes and one day you will return to nothing. Most people you know do not think about you. When you die, only 3 or 4 people will truly mourn for you. After a few weeks, you will be forgotten.
This has been the story of billions of people throughout history. Statistically speaking, you will be totally, utterly forgotten.
Beyond this life lies nothing.
So in this life, there is absolutely nothing stopping you from doing the most heinous crime you can think of. Absolutely nothing. You can do it right now.
So what are you gonna do with that freedom?
You think thereâs someone pulling the strings? Well guess what buddy, itâs worse than that: NO ONEâS pulling the strings.
The universe is just there. Itâs infinite. YOUâRE NOT. You will never make sense of it.
I hope everyone reading laughs at this, because thatâs the only sane response.
So now you can understand why I want to be âignorantâ. We should admire the Christians, Muslims, Jews, Buddhists, Sikhs, Jains, Hindus, etc etc. Hell, Iâll even admire Conservatives, libs, leftists, rightists, libertarians, etc. At least they believe something.
There nothing wrong with sublimating our beliefs and desires into ideologies, but, taking from Sigmund Freud, the aim of this life should be to âsublimate wellâ.
Anyways, gotta go. Left my wallet at Hardeeâs. Bye â

Ever wonder how nice it would be to not know how to read?
Or how about being a eunuch? You never have to have sex again. Sounds like a good deal to me.
What about being a monk? You know, never having to talk, being separated from society, and you get to read all day.
Or better yet, how about being a eunuch monk that doesnât know how to read?
Sounds like my ideal existence.

âHi, bookie? Iâd like to place a bet on the NCAA Miami game.â
âOhio or Florida?â the bookie asks.
âBoth are disgustingâ
THE END

As 2021 comes to a close, Iâd just like to remind everyone that if you think the world is getting worse, youâre dead wrong.
Things have always been shit. Always will be. To be alive means to live in tyranny.
Read ancient texts…Ancient Greece or Rome for example…youâd find the same old complaints: the decadence, the spectacle, the tyranny of the majority, the tyranny of the minority, the anguish of having to live in a society.
Weâre in good company.
Maybe 30,000 years from now, humans might achieve a higher state of being…one that currently remains outside the realm of imagination. But none of us will see that day. For the time being, weâre just playing our role.
Sure, there are those that are WAY worse off than you or me. But Iâd venture to guess that if you can read this blog, youâre doing alright. So look on the bright side, at least youâre not in the drunk tank, at least youâre not begging for your next meal, at least youâre not slipping some digits into the butthole of a paying john, at least youâre not being trafficked across the Pacific Ocean in a shipping container. Think on those people. Depressing? Yes. But with this despair comes opportunity to give a kind word, a shirt off your back, to be a ray of hope in an otherwise meaningless existence.
Face it, life sucks. Donât make it harder than it needs to be.
See you in 2022.
..and my dickâs small too

So I was listening to some podcast while huffing glue and the two hosts introduced an interesting concept: if a film director makes two unquestionably great movies, then they belong in the canon of great directors.
It seemed like a sound enough argument. Iâve said it once and Iâll say it a hundred more times: it is extraordinarily difficult to make ONE good film. If a filmmaker can make one good movie, then replicate that impact in a subsequent film, then itâs obvious that the director knows what he/she is doing.
But the more you think about it, you come across some problems: specifically what it means to be âgreatâ, or even a âDirectorâ. Because if this criterion were true, then we find that a few questionable directors would belong in this canon.
Some examples:
Jonathan Demme (Silence of the Lambs, Philadelphia, Stop Making Sense)
John McTiernan (Predator, Die Hard, Hunt For Red October)
George Lucas (Star Wars, American Graffiti, THX-1138)
Ridley Scott (Alien, Blade Runner, Gladiator)
Robert Aldrich (Kiss Me Deadly, What Ever Happened to Baby Jane?, The Dirty Dozen)
William Friedkin (The French Connection, The Exorcist, Sorcerer)
Etc, etc, etc
While there are a bunch of notable films on those directorâs resumes, would any of those directors be considered âgreatâ? (IMHO, I would say âyesâ for Friedkin, Aldrich, and McTiernan. âNoâ for the others.)
A âthree filmâ criteria would fix this: Ford, Hitchcock, Wilder, Lean, Kubrick, Kurosawa, Coppola, Scorsese, Tarantino, and Spielberg would easily hurdle this barrier. But what about directors that made ONE unquestionably great film?
The Deer Hunter is arguably the greatest film ever made. And it was the only great movie that Michael Cimino directed.
But hereâs another example: Orson Welles.
Citizen Kane IS unquestionably the greatest movie ever made. Now name another movie he made that had a similar impact? The Magnificent Ambersons? Touch of Evil? The Lady From Shanghai? Sure, they were good to VERY good. But were they Citizen Kane…or even Deer Hunter…great? Yet every cinephile would undoubtedly place Welles as one of the greats in film history.
And what about the niche directors…David Lynch, Paul Verhoeven, John Carpenter, Sergio Leone, and even Paul Schrader, etc etc? Iâd argue that itâs these directors that have the greatest influence on younger audiences.
What about the directors that arenât auteurs? Some operate more as âCEOsâ in their craft. George Lucas is one of these guys. Ridley Scott is too (and Spielberg to some extent). My personal fav is John Sturges, who directed such bangers like The Magnificent Seven, The Great Escape, and Bad Day at Black Rock (a forgotten classic).
So I donât know, the âtwo filmâ rule doesnât seem to work (neither does the idea of a âcanonâ). Itâs all too subjective.
As a side not, I didnât mention very many European directors or auteurs of other nations. Thatâs obviously my American bias. Like it or not, cinema is the one (and only) contribution that the US has uniquely made to the arts. Nevertheless, these filmmakers deserve a shoutout. The Japanese, Korean, and Italian directors have a distinctiveness that I greatly appreciate and I regret not mentioning more of them. The Mexican film industry is criminally underrated. British directors, at least with their mainstream work, mimic their American counterparts. Tarkovsky, Costa-Garves, Wim Wenders Fellini, Herzog, and Pasolini are all incredible as well.
But the French New Wave sucked.

Before his James Bond got blown to shit on some rooftop on a Japanese island in No Time To Die (sPoIlEr AlErT!), Daniel Craig was in what is perhaps the greatest British film ever made: Layer Cake.
While every actor (except Tom Hardy) acts their ass off and every line of dialogue is an absolute banger, the film is perhaps best known as a turning point in film history: introducing the world to Daniel Craigâs god-like body.

Daniel Craig was blessed with being able to make whatever heâs wearing look like it was tailored specifically for him. He spends much of the film wearing the same plain gray raglan t-shirt with Leviâs…an outfit that probably costs $50 total, but it looks like heâs modeling Brioni.
I couldnât pull off that look. I tried.
Another thing Craig succeeds at is showing his âsexâ gaze:

Not to toot my own horn, but Iâm happily married now because I mastered that gaze. Now personally, I like to use the Sean Connery method of tilting my head forward, arching an eyebrow, and smiling with my eyes. But every man has to master the âsexâ gaze, to knock em dead with one look, if they want to be successful with the ladies (or the fellas).
That haircut is pretty good too. Itâs definitely a 60âs style throwback, echoing the aforementioned Sean Connery and his toupee during his James Bond tenure. Unfortunately Iâm a balding man, have been since I was 13, so I was never able to pull off that style. But because Iâm balding, Iâm sort of an expert at spotting hair plugs. And Craig, in my humble opinion, probably has hair plugs. That being said, Iâd pay good money to find out who his specialist is.
Another thing on Craigâs style is that pimpin purplish/maroon jacket he wears to start the film:

Iâm just gonna go ahead and say it: no man has ever looked as good on film as Daniel Craig did in Layer Cake.
âWe get it, youâre in love with Daniel Craig. But what about the film?â
Oh yeah, the filmâs good too.