Pennies for the Dead (Full Story)

Sorry for playing the hits, but I’m still undergoing writer’s block. I’m trying to jog my creativity by starting shit on Instagram, but that takes time.

Honesty, I forgot about this story. I posted it a year ago and while it isn’t my best work there’s still a few good ass jokes.

So enjoy

Pennies for the Dead

So I was doing a seance during the middle of the night-in a cemetery-when a security guard approached me.

“The hell are you doing?” he asked.

“Conjuring the dead. What does it look like?”

“Well hurry up. Gates close in an hour.”

So I cranked up the spirit box and pulled out the Ouija board. I asked the spirit box, “is a Joe Morris present?”

The box scanned through the channels before saying “Beelzebub”. Oh shit, I thought. I probably just cursed myself. 

“No no no,” I replied. “JOE Morris.”

The box continued to scan but I was receiving no answers. The Ouija board was no help either. It kept spelling out “anal sex” and “go fuck yourself”. This was getting me nowhere.

I packed everything up and took out my flashlight. Next to Joe Morris’ tombstone was the name “Jezebel Morris”.

Dorthy Morris neglected to tell me that name.

Joe was Dorthy’s father. He was allegedly poisoning in 1952. The autopsy, however, was inconclusive. Dorthy’s been wanting this case solved her entire life. Now, in her twilight years, she lived a reclusive life on her family’s estate while her brain slowly demented away. 

In my opinion, Joe died by natural causes. You know how men lived in those days. But I hadn’t had a case in months.

Was it wrong of me to take this elderly lady’s money? Yes.

I immediately left the cemetery and stopped at the Voodoo shop. I had to do something to spurn any demonic curses, ya know? Afterwards I drove to Dorthy’s estate.

I pounded on the door. She was hard of hearing.

“Is that you Lyle?” she asked 

“No ma’am. It’s Ty Carson, private detective,” I replied. 

I opened the door and found Dorthy with a blanket covering her lap in front of the fireplace. She was playing checkers. 

“Who are you playing checkers with?” I asked.

“I’m not playing checkers.”

I quickly moved on to the business at hand. “I did what you asked,” I said. “I went to the cemetery to talk to Joe. I found out that the dead aren’t too keen on talking.”

“But I talked to Joe this morning,” she replied.

I ignored that comment.

“Who’s Jezebel?” I asked.

Dorthy gave me a puzzled look. “Jez has been dead for years,” she said.

“I know. Who was she?”

“No. I can’t betray Joe like that.”

“But she might be key to understanding Joe’s death.”

“No. That matter is closed.”

I shrugged. I figured that I could just go through public records in the morning. As I began to leave, I turned around. 

“Oh, by the way,” I said, “the spirit box and Ouija board came to about $150. That will be charged to your account.”

“$5,000 you said?” Dorthy asked as she pulled out her checkbook.

“Yes.”

***

I couldn’t shake the feeling of being followed.

I had a hunch that it was the repo man coming to take the Geo Metro. I pulled out my .38 and shouted into the dark. “I have your filthy money!” I yelled. “Show yourself!”

Out of the shadows, I heard a thick Boston accent: “Are you Mista Cahson?” it asked.

“What’s it to ya PAL?!”

The figure stepped forth slowly from the shadows. He was tossing a baseball into the air. 

“I’m Mista Pete Morris,” the figure said. “I’m son of Dorthy Morris, your client. I understand that you’ve been taking my mutha’s money.”

“She’s been giving it to me in larger amounts than I’ve been asking. That’s hardly stealing,” I replied.

“Hey ohhh, buddy! I ain’t said nuthin about stealing.”

“Then you better make your point. I have a .38 aiming between your eyeballs.”

Pete straightened up his jacket and began stammering nervously. “All I’m asking is that you let me in on the cut,” he said.

“I don’t think so,” I replied. “I work better alone. Besides, fuck the Red Sox.”

“I’m tellin ya,” Pete said, “there’s somethin goin on with Dorthy.”

“Yeah, it’s called dementia.”

“No. There’s something else goin on up there at that estate. Something that can’t be explained, not of this world. Some things just can’t be stopped by bullets, ya know?”

Pete then tossed the baseball again and I shot it out of the air.

“I haven’t found one yet,” I said.

“Look, I have all the answers you’re looking for,” Pete continued. “The death of Joe Morris is deeper than you think.”

I put the gun back into my holster. “Buddy,” I said, “if you’re trying to grift your rich elderly mother out of her money, you’re gonna have to find another angle.”

As I turned around to finish my walk home, Pete spoke up again. “I know about Jezebel,” he said.

“So do I pal,” I said as I continued walking, “she was Dorthy’s sister who died of pneumonia a year before Joe’s death. She was 20 years old.”

“That’s not the whole story,” Pete replied, “in fact, she wasn’t Dorthy’s sister.”

I stopped, turned around, and pulled out a cigarette. “Alright bucko,” I said, “now you’ve got my attention.”

***

“Sorry babe,” I said to Sheila. “I got the whiskey dick.”

“It’s alright, I’m used to it,” she replied. “Maybe you shouldn’t drink before sex.”

“I wouldn’t know. Never tried it.”

Sheila climbed out of bed and got dressed. As she put her shirt on, she noticed the crap on the floor. “What’s this stuff?” she asked.

“Don’t touch it,” I said, “that’s a spirit box and a Ouija board. You might awaken a demon from hell. Trust me, that’s one can of worms you can’t close.”

“What are you doing with that?”

“It’s some case that I’m scamming *ahem* I mean helping some old lady solve.”

“Sounds dangerous.”

“Oh yeah, totally.” I looked over to the clock and noticed it was 7:30pm. “Speaking of, gotta get to work.” I got out of bed and threw my pants on. “You can stay here for the night,” I told Sheila, “but remember: DO NOT touch that damn Ouija board.”

I was running late. I had to meet Pete at the Morris estate where he was going to shed some light on Jezebel’s identity. 

I arrived 45 minutes later. It was nearly pitch black. I grabbed my flask and flashlight and got to work. “This better be worth my time,” I told Pete. 

“I told you that you’re not gonna need that .38,” he said.

“You let me be the judge of that.”

We began venturing into the woods. There was allegedly a cellar back behind the mansion that contained the remains of Jezebel. “I’ve been told all my life that this is an old Indian burial ground,” Pete said.

“Why didn’t you tell me that before I pissed on that hedge?” I asked. 

“There it is,” he said. I shinned my flashlight in that direction. The cellar was only a few yards ahead. 

“How far down is it?” I asked.

“I don’t know. I never been down there.”

I lit up a cigarette. “You go first,” I said.

Pete gathered up his courage and proceeded towards the cellar. He took a deep breath before going down the stairs. The cellar was deep. Too deep for my liking.

I put one hand on the .38. 

Finally we reached the bottom. We were standing in a wide, musty corridor with multiple chambers. “What the hell was this place used for?” I asked Pete.

“Supposedly this was a torture chamber for runaway soldiers during the Civil War. Many slaves lost their lives down here.”

“Pete, I’m beginning to think that your family deserves to be cursed.”

“What’s this?” Pete asked. I shined the flashlight over to an old fire pit littered with ash and bones.

Then the cellar door slammed close.

I pulled out the 38. “Stay calm,” I said.

“I told you there’s something strange going on here!”

“Shut up Pete.”

“I can’t die down here! The Celtics are in the playoffs!”

“Pete, so help me god, if you don’t shut up I’ll shoot you myself!”

Suddenly my flashlight went out. Then something grabbed Pete. “Damn you Brad Stevens!!!!!!!” he screamed before disappearing into the dark.

I started firing indiscriminately into the shadows.

“Pete!” I screamed out. 

There was only silence.

The flashlight kicked back on and I shined it all around the corridor. Pete was nowhere to be found. “Fuck this,” I said as I sprinted back up the stairs and to the car.

I floored the Geo Metro back to the apartment. I rushed in through the door and began frantically looking for the Ouija board. “Damn it Sheila!” I yelled. “What did you do with the Ouija board?”

Sheila stumbled out of the kitchen with a glass of wine. “The planchette began moving around,” she said as she slurred her words. “It started spelling out ‘You’re next’, ‘Hail Satan’, and ‘I heart ass’ I didn’t know what that meant so I threw it into the fireplace.”

“Sheila,” I said, “I might’ve opened a portal to hell.”

***

I quietly hoped that Pete lived a lonely, miserable life. He never mentioned anything about a spouse. His mother was barely cognizant of his existence. Honestly, he seemed to be a stupid sack of shit and nobody would have missed him.

But I didn’t want anyone reporting his disappearance. What would I have told the police? That he was sucked into some black hole in the middle of the woods?

I had to find Pete. And finding Pete probably led to solving the mystery of Joe Morris’ death.

Actually, I could have walked away from this entire thing and no one would have been the wiser. But I knew the spirits were listening in. I had to get to the bottom of this thing before they got to me.

I picked up the spirit box. “Listen here, damn you,” I said, “I know you can hear me. I want some answers! Where’s Pete? Who’s Jezebel?!”

The spirit box began scanning through the channels before spitting out “suck.my.penis.”

That’s it, I thought. I reloaded the .38 and went back to the Morris Estate.

It was 12:30am. I pounded on Dorthy’s door. “Is it the milk man?” I heard her ask. “Come in!”

I opened the door and there was Dorthy playing Trivial Pursuit alone. “Damn it Dorthy!” I said, “I need answers! Who’s Jezebel?!”

“Jezebel? She’s been dead for 20 years.”

“Records say she died in 1951. Stop jackin me around!” I pulled out the .38. I meant business.

The candles around the aged mansion began to flicker. Random objects started to move: books flipped open, mirrors were rattling, the record player was blasting Lionel Richie’s ‘Dancing on the Ceiling’. Dorthy meanwhile went into a trance. Her eyes rolled back into her head and she backed up into the shadows.

I turned on the spirit box. “Alright Jezebel! I know you’re on to me,” I said. “Talk to me! Let’s settle this thing!”

Suddenly the doors flew open. A woman floated into the room. Her eyes were as dark as night. 

I lifted the .38.

But it was Sheila.

“Sheila, you’re drunk,” I said. “Go home!”

“I am not Sheila,” the demonic voice said. “I am Jezebel!”

***

“I don’t know Sheila,” I said, “you’ve faked demonic possessions before.”

“Try me, asswipe!” she replied. Then I pumped a few bullets into her chest.

Nothin

“Alright, so I guess you’re Jezebel,” I said. “Where’s Pete?”

“His soul resides in HELL for all eternity!!!!”

“Good, he’s a Boston sports fan,” I said, “he needs to know how that feels.”

“You will join him soon enough!”

“Sorry sister, I already live in Ohio.”

I pulled the trigger again but I already emptied the revolver. I threw the gun at her and started running down the hallway while screaming for my life. 

I hid in the closet under the staircase. Of course, it didn’t take long for her to find me. Using her demonic powers, Jezebel began to eat my soul. I started praying. “God, I regret everything,” I said. 

Then God responded. Thunderbolts began raining down on Jezebel from some unseen force and she retreated into the shadows. I was still alive. 

I crawled out from the closet. In front of me stood a wizard-like figure dressed in white robes and holding a staff.

“Thank you Jesus,” I said.

“I’m not Jesus,” the figure replied. “I’m Joe Morris.”

I stood up. “Joe Morris? Shouldn’t you be 120 years old?”

“119 to be precise.”

Then Pete ran down the hallway. “Ty! I’m still alive!” he said.

“I thought you went to hell,” I replied.

“I did. It ain’t such a bad place. I got to meet Dave Cowens.”

“He’s still alive dumbass.”

“Are you sure? By the way, did you piss your pants?”

“I did. It’s a side effect of my elavil prescription. Where did Jezebel go?”

“She went back to hell to lick her wounds,” Joe Morris said. “We must go to the cellar, return to hell, and make sure she never returns.”

“Fuck that,” I said. “This ain’t my problem. I’ll just collect the money from Dorthy and be on my merry way.”

Right then, a possessed Dorthy flew down from the ceiling and attacked me. While I fought her off, Joe Morris released more thunderbolts from his staff. Finally, she flew off of me and began writhing on the ground before whatever cursed spirit that possessed her left her body. Dorthy was dead.

“Mother!” Pete screamed.

“She hasn’t been your mother for a long time,” Joe said.

I took a moment to gather myself. 

“Alright,” I said, “I need to change my pants before we go to the cellar.”

***

“So you’ve been in hell for 70 years Joe?” I asked.

“Why is that so hard for you to believe?”

“Did you die first? Or did you go down there for shits and giggles?”

“Unbeknownst to me, my family has been guarding this portal to hell for 200 years. Jezebel was a maid at our estate and I went outside my marriage to be with her. But Jezebel was secretly the devil and she cast me into the portal.”

“So is your body buried in that cemetery or what? If so, how the hell are you standing here with a flesh and blood body?”

“Don’t worry about it. The point is there’s been a rebellion in hell. Spirits are escaping to this earth and if we don’t stop Jezebel, there will be hell on earth!”

“Relax Joe, you’re just describing Toledo,” I said.

“You already made that joke.”

“How can three flesh and blood men stop an army of evil spirits?” Pete asked.

“While in Hell, I learned the ancient dark arts of Mesopotamia,” Joe replied. “I’ve been made a priest in these ancient religions. All I have to do is bless your weapon of choosing, and voila.”

“Can you bless the bullets of my .38?” I asked.

“Sure can.”

“Hell yeah!”

“What about my pocket knife?” Pete asked.

“That’s a pretty lame weapon, Pete.”

“Grab as many weapons as you can carry,” Joe replied. 

“What about this machete?” Pete asked.

“What about this IWI Tavor TS12 shotgun?” I asked.

“Yes, yes. I will bless them all. We must hurry though.”

“Thanks Joe!” I said. “By the way, I’ve always wondered: what’s it like having sex with Satan?”

***

“Just be warned,” Joe said to me, “Hell ain’t what you think it is.”

“How so?”

“You just have to see.”

Joe, Pete, and I gathered our divinely blessed weapons and proceeded to the cellar in the woods. Joe went into the portal first, then Pete. I hesitantly went in last.

I felt my body break down into its molecular and atomic parts while time and space melted down. Then reality reconstructed itself and the three of us were in a large theater.

On stage was a nude couple: one an elderly woman and the other an average-looking dude with an abnormally large dong. A horse was also on stage. It was a community theater production of Equus.

“Ah shit. Now I know what you mean,” I said.

We rushed out of the theater, side by side, weapons on ready. We were men on a mission, a mission to find…and kill…Jezebel. And more importantly, we had to stop the dead from invading the earthly realm. 

Outside the theater, we hailed a cab. The driver stopped and we all piled into the back. “Does anyone want to sit up here with me?” the driver asked. “Son of a bitch,” I said then got in the front seat.

“Where to?” the cabbie asked. “Downtown” Joe replied.

The cab driver then blasted Jon and Vangelis from the radio and was humming along. I turned to the backseat.

“Hell seems more boring and mildly irritating,” I said, “much like Minneapolis.”

“Yeah, but imagine spending spending eternity here,” Joe replied.

He had a point.

The cap pulled up to a downtown bank. We all piled out of the car. “Are you sure that the Empress of Hell and all of Damnation is here?” I asked.

“Of course, with their ungodly interest rates, there’s nowhere else she could be!” Joe said.

So the three of us…a wizard, an idiot, and a guy with a shotgun…walked into the bank lobby. We went up to a loan officer.

“We’re here to see Jezebel,” I tell the man.

“Do you have an appointment?” he asks.

I cocked the shotgun and blasted a hole in his chest. “She’ll be with you shortly,” the loan officer replied.

Security guards rushed into the lobby and began firing indiscriminately. Pete became an absolute beast and started slicing away with his machete. Joe unleashed fire bolts from his staff. I unloaded shell after shell from my shotgun.

As we looked over the absolute slaughter of security guards, with blood and guts strewn about the lobby, Joe nodded his head. “I think our plan is working out pretty good,” he said.

“I’m out of shells,” I said and dropped the shotgun. Then I pulled out the .38 and kissed it. “But I still got six shots.”

We all went into the elevator and Joe hit the button for the 666th floor. “Holy shit!” I said. “How many floors are in this building?” 

32 minutes later, we arrived. Jezebel was in a conference call with all of her minions. She was planning the final stages of her Hellish invasion of earth.

“What took you so long?” she asked.

“Your slow ass elevator,” Pete said.

“You think your earthly powers can stop me?”

I lifted the .38. “Nothing can stop these bullets sister.”

***

I instantly wasted 5 bullets. 

Sadly, I had to borrow a weapon from Pete. And let me tell you: it ain’t easy killing demons with a pocket knife.

In the midst of the mayhem, I lost track of Jezebel. “She escaped to the roof!” Pete yelled while decapitating a goblin.

I sprinted up the stairs to the very top of this 666-storied building. I was out of breath when I reached the roof. Jezebel was waiting.

“Your pathetic little weapon will do nothing to me,” she said.

“That’s not the first time I’ve heard that,” I replied.

Above the roof, Jezebel was opening a portal to Earth where all the spirits of this evil domain could trespass. I was running out of time. So I rushed Jezebel with the knife.

As I leapt towards her heart, she blocked my movement, knocking loose the pocket knife.

I was on the ground. Powerless. Jezebel laughed. “What a weakling,” she said as she put her pitchfork up to my neck.

“If you kill me,” I asked Jezebel, “where am I gonna go? I’m already in hell!”

“If you think it’s bad here, wait till I send you to Bridgeport!”

I closed my eyes in preparation for eternity. Then thunderbolts rained down on Jezebel. While Joe unleashed his unholy powers from the staff, Pete went absolute apeshit on Jezebel with his machete. This severely damaged her powers, thus closing the portal.

With her powers nearly drained, Jezebel stood at the edge of the roof. “Halt!” I yelled before Joe could make the final kill shot. “Jezebel still possesses Sheila’s body.”

I looked deep into Jezebel’s eyes. I could still see Sheila. “Sheila,” I pleaded, “I know that we never had sex because of my undiagnosed ED. I know that I’d often disappear into the bathroom and leave you with the bill. I know that I’d also clog the toilet and blame it on the cat,” I said, “but I also know that I love you and you should probably attend AA.”

Right then, Jezebel began to spastically writhe on the ground. The evil spirit departed Sheila’s body, and there alone stood a defeated Jezebel.

With one bullet left, I pulled out the .38. “Back to where you belong Satan: Massachusetts.” 

I pulled the trigger.

The flash from the barrel echoed throughout Hell. In a puff of smoke went Jezebel.

I couldn’t believe it.

“Is she gone for good?” I asked Joe.

He looked out to the horizon. “We defeated her for the time being,” Joe said. “But the devil is never really gone. Where Jezebel resides now is in a hell of her own making, a place so unfathomable that God himself wouldn’t dare set foot. So Norway probably.”

I walked over to an unconscious Sheila. I kneeled down to awaken her. “What happened?” she asked.

“Just a temporary demonic possession. Nothing to worry about,” I said. 

Sheila stood up and looked down to the sprawling city below. “Where are we?”

“We’re in Hell dear,” I said.

“It looks like Orlando.”

THE END

Born for Hell (1976)

What an unusual movie.

In this Italian-German-French Canadian-English-Russian-Mexican-Brazilian-French-Belgian-Swedish-Regular Canadian-Honduran-French Polynesian-Zimbabwean-Pakistani-Sri Lankan-Vietnamese-and Aleutian co-production, a veteran of the Vietnam War finds himself in war torn Belfast where he begins to torture a household of nurses.

The first hour or so is not what you would expect from something in the “horror” genre (as Tubi categorizes it). In fact, it feels more like a commentary on the situation in Belfast. Furthermore, the perpetrator of all the crimes comes across halfway sympathetic. Not only does the villain get plenty of character development, but so do the nurses who are portrayed as more than faceless victims. That being said, there are a few indications that something is ‘off’ in the first half. Any good horror film should prepare its audience for what’s about to happen: after a bombing at a church, the main character couldn’t have given less of a shit; there’s a strange interaction with a child in a park; and a middle-aged prostitute dances topless under threat. Nevertheless, the first half of Born for Hell feels like a gritty documentary-style drama, in the same vein as The French Connection or The Battle of Algiers.

Even the torture scenes are a bit unusual. Sure there are the usual rapes, stabbings, and strangulations. There’s nothing especially creative about the deaths in that regard, which might come as a disappointment to some. But the villain isn’t typically maniacal about it. In fact, Sometimes he’s quite polite (“follow me, if you don’t mind”). It’s the performances of Mathieu Carriere and all the nurses, from Carole Laure onwards, that really carry the day.

Perhaps I shouldn’t read too much into this movie. In all likelihood, it was a tax write off for a bunch of international businessmen. But conceptually, this was an interesting idea. Sure, this story was inspired by a real event that took place in Chicago. Yet I like to think the filmmakers were reaching for something higher here.

Much like how The Deer Hunter tried to capture the madness of war through suspenseful scenes of Russian Roulette, I’ll suggest that the torture scenes at nurse’s house serves a similar function: senseless killing pushes men to the brink of insanity and they take out that frustration on innocent women.

I don’t know.

But when viewed in this light, Born for Hell fits in nicely with the 70s Cinema canon.

Skeetin

I’m a little under the weather so I’m just gonna phone this one in.

But I was doing my annual Paul Schrader marathon when I got to Dominion: Prequel to the Exorcist. A few thoughts: 1.) it’s a shitty movie but 2.) Vittorio Stararo was the DP?!!! How did that get past me?

And it’s such a shame that this film didn’t work because it is very much in line with the themes that occur throughout Schrader’s work. I haven’t bothered with the retooled Exorcist: The Beginning, but I’m glad Schrader stuck to his guns and at least attempted to make a cerebral film rather than make a run-of-the-mill horror. That’s what made the original Exorcist so interesting: director William Friedkin stated that it never occurred to him that he was making a “horror film” (he could be bullshitting though).

Schrader probably should have had a bigger say in the screenplay. Much of the introspective philosophical back-and-forth that, in my opinion, slightly bogged down The Last Temptation of Christ (which clashed with Martin Scorsese’s rather “extroverted” direction) would have been quite effective for Dominion. Additionally, the event that caused Father Merrin’s lack of faith should have been revealed later in the movie. And while there was some good stuff with the British colonial troops, I felt that there was no payoff for any of it.

(Plus the special effects REALLY sucked ass)

I also saw Touch for the first time. I don’t remember a damn thing about it other than Skeet Ulrich was in it.

Whatever happened to that guy? That dude was like, super fucking hot. Shouldn’t he have had a bigger career?

Were people disappointed to find out that he wasn’t Danish?

Meet William Shitz (part x)

“I found him!” Allen Funt screamed through the torrential rain. It was our second day of hunting for the surprisingly evasive Mr. Shitz. The terrain in the sprawling forest proved to be formidable.

Archibald, shotgun in hand, ran towards Allen’s screams. Darla and myself weren’t far behind. “Where is he?” Archibald asked as he approached.

“Right there,” Allen said.

The butler looked down and was puzzled. “That’s just a hole in the ground,” Archibald replied.

Allen cocked his head. “But I thought that’s what this was,” Funt said, pointing to his ass.

Darla had enough. “This excursion is pointless!” she yelled. “Just let my father die naked and shitting himself in the woods, just as he wanted!”

Allen Funt seconded the notion.

Archibald tuned out the noise as he gazed into the woods ahead. “There,” he pointed.

Less than a 100 yards away was the majestic arctic fox. The creature contrasted like an apparition against the wet and drab forest. “Follow that fox,” Archibald ordered.

The butler proceeded forward while Darla and I followed in his footsteps. Allen Funt fell into the very hole he pointed out moments before.

“Help!” he screamed.

No one came to his aid.

We watched closely as the fox trotted forward a few feet. As the animal neared a meadow, a totally nude Mr. Shitz fell out of a tree and onto Darla’s shoulders. “Father!” she cried, but Mr. Shitz was delivering a rear naked chokehold, quite literally, as he was hanging on to her rear, he was naked, and had her a chokehold.

“Release her!” Archibald ordered.

Darla lost consciousness and fell to the ground. With an open shot, Archibald raised the shotgun and fired. But the spry Mr. Shitz dodged the shrapnel and disappeared into the shadows.

“Goddamn, he’s like the Vietcong,” Archibald said as he reloaded the shotgun.

“What are we going to do?” I asked.

“He’s too dangerous like this,” Archibald replied. “If you see him, kill him.”

Right then, Mr. Shitz swung around a tree and knocked Archibald out cold. The shotgun flew forward to my feet.

I kneeled down to pick up the weapon. But Mr. Shitz was close enough that I could see the rainwater dripping off his ballsack. I slowly picked up the shotgun and returned to my feet.

It was nearing dusk and the rain was falling harder. But the red in Mr. Shitz’s eyes pierced the dark through the booms of thunder and brilliant flashes of light.

TO BE CONTINUED…

skinned alive & the reflecting skin

I’m a completionist. I hate to give up on a film because it’s so shitty but that’s what happened while watching Abel Ferrara’s The Driller Killer. So take it from me, that film is only good for two things: reminding you 1.) that it must’ve sucked to have lived in NYC during the late 70s and 2.) first wave punk was GODAWFUL.

Thankfully, Tubi saved the day with two BANGERS, both with ‘skin’ in the title and both released in 1990.

Skinned Alive (1990)

I low-key loved this movie. So much so that I might add it to my Tubi Hall of Fame. It possesses many of the qualities I look for in a film, chiefly having a short runtime.

I almost certainly wasn’t the only one taken with the film. One of the many grotesque deaths bears a strong resemblance to Hitler’s death in Inglourious Basterds because Quentin Tarantino is a senseless hack (so am I, btw).

There’s also a striptease scene that made me absolutely sick to my stomach 👍

But what I find most charming about this movie is how it absolutely shits on the state of Ohio. Now I might’ve spent a grand total of 20 minutes in that state, but goddamnit, there’s something funny about that place.

What’s Skinned Alive about? Some insane family stops in a small town and raises hell. In case you couldn’t guess, this family skins people alive. Only a drunken, pathetic, ex-cop stands in their way.

The Reflecting Skin (1990)

I’m not sure that I would call this a ‘horror’ film, but I can see why many do. If you take the time to think about it, the story is absolutely terrifying and depressing.

An 8-year-old boy growing up somewhere in the midwest post-WWII gets verbally, emotionally, and physically abused while the bigoted police department investigate the deaths of local children. Meanwhile, the boy’s older brother, who’s probably dying from radiation poisoning, (and played by Viggo Mortensen), engages in a relationship with a woman that the boy believes to be a witch.

There’s no gore, few frightening images (worst of which is Viggo Mortensen’s ass cheeks), and no supernatural elements to speak of. So this might not satisfy all tastes. But it does have one thing going for it: NOTHING gets resolved and the movie ends with the boy screaming into the sunset.

I wasn’t quite sure what to make of The Reflecting Skin. I had to turn to IMDB to find answers, and that’s when I found this review, written by an abuse psychologist who found this to be the “most accurate depiction of abuse” he/she/them has ever seen:

I’ve always wondered how well horror and drama would mix. The only well-known example of this would be The Exorcist. But much like We Are The Flesh, answers don’t come easy and what you find might be depressing AF.

*****

But you know what’s NOT depressing?

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Rectuma, monsturd, and deadbeat at dawn

This was a STRONG week on Tubi. Right when I was about to give up (not just on Tubi, but on life in general) I got slapped across the face with three BANGERS.

Rectuma (2003)

This is why I say it takes a couple of decades after a film’s release before it can be properly critiqued. Audiences were probably pissed when they saw this in 2003. They probably discarded it as just another lame attempt at South Park-style humor, which many attempted, unsuccessfully, to emulate. But now, nearly 20 years later, Rectuma’s stupidity can be fully appreciated.

Just in case you forgot, I’ve taken a LOT of drugs. And as a result, my memory is nearly shot. So if you want an accurate plot summary, you’ll have to look elsewhere. But best I can recall, the story is about some schlubby dude who gets raped by a frog in Mexico and then he gets nuclear rods shoved up his rectum thus causing his ass to grow massive in size before it starts attacking LA. Plus his wife is trying to kill him.

In 2003, I was fully steeped in this low-brow, offensive, toilet humor (still kinda am, tbh). That was practically internet culture in those days. So watching this movie was like a walk down memory lane.

People forget, there was a time when “politically incorrect” humor (before it got relabeled as “anti-woke” humor 🤢) oddly lacked any political dimension whatsoever. Everyone laughed at it because it was after 9/11 and we all thought we would die soon anyway. Stuff like Rectuma was supposed to distract us from that horrible fact.

So to appreciate this movie, one must see it as an artifact of very early 21st Century life. It should be shown in colleges and history classes across the globe.

Monsturd (2003)

Both Monsturd and Rectuma were released in 2003 and were both seemingly filmed in Butte County, California. So I’m assuming there was some overlap in the productions of these two movies.

I don’t think Monsturd is quite of the same caliber as Rectuma, but I appreciate the effort nonetheless. The plot is simple: a gigantic, living turd -created by a mad scientist- terrorizes the citizens of a small community, and it’s up to the sheriff’s department to stop it.

Despite being the lesser of the two films, like peanut butter and chocolate, this goes well with Rectuma.

Deadbeat At Dawn (1988)

I saved the best for last. Outside of one Ouija Board scene, this really isn’t a “horror” film. But I’m glad, that in Tubi’s infinite wisdom, they recommended it.

Filmed on the mean streets of Dayton, Ohio, Deadbeat At Dawn is about one man’s revenge against rival gang members for killing his girlfriend. The final confrontation at a train station is simultaneously amateurish and utterly fucking brutal…and it concludes in the most satisfying way: the bad guy gets his throat ripped out (this was released a year before Road House, btw).

The violence in Deadbeat At Dawn is delightfully absurd, but the highlight of the movie is when, in his darkest hour, our hero goes from getting drunk to snorting coke to shooting up heroin before finally dropping acid. Self-destruction never looked more hilarious.

This is definitely one of the great underrated action films of the 80s.

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wings hauser

I’m sure Italy is a wonderful place: nice people, delightful food and wine, rich history, beautiful scenery, etc, etc. But ‘giallo’ films and Italian horror as a whole…I’ll just say they make me absolutely sick.

And I think I know why:

Caligula.

Now Caligula can’t be considered ‘giallo’ OR horror, but it might as well be. If you recall, that film absolutely scared the shit out of me as a kid and I never quite recovered. So my response to Italian horror is similar to having alcohol poisoning: if you get it once by drinking vodka, you can’t quite stomach vodka again. The Italian style of tight closeups, zooms, disorienting music and editing, and fixation on gore and nudity just make me a little queasy.

But I have a job to do. And that job is to watch EVERY cheapass horror film on Tubi. That includes the filmography of the legendary Lucio Fulci. So I started at the worst possible place:

A Cat in the Brain.

The movie forced me to do some research while I was watching it, largely because I had no idea what the fuck was going on. Fulci plays the lead: himself as a film director that’s slowly becoming disturbed by a movie he’s making. As we watch him descend into madness, we’re shown random clips from prior films, almost as if this movie was thrown together in the most halfassed way possible.

A Cat in the Brain was produced towards the end of Fulci’s distinguished career, so there’s no telling where he was mentally. But I’ll say this: Fulci did a much better job of cobbling together this Frankenstein of a movie than Godfrey Ho did for Robo Vampire.

I neglected to mention that A Cat in the Brain is considered a “comedy” (thus deploying the “covering your ass” method over decade before Tommy Wiseau did for The Room). Maybe the humor went over my head, but I was too petrified watching some guy beat his wife’s face off to laugh.

You needn’t worry though, because this movie has a happy ending: a disgusting Fulci sails off into the sunset with a bikini-clad woman that’s at least a third his age.

I hated A Cat in the Brain. But Fulci fans love it. Just check out the reviews at IMDB.

After watching that shitshow I needed a palate cleanser. That’s when I found the 1984 Wings Hauser and Bo Hopkins (RIP) classic , Mutant.

Perhaps calling Mutant a ‘classic’ is a bit of a stretch, yet despite its lackluster script, it is competently made. It’s a story we’ve seen a thousand times before: strangers roll into town, weird things happen, everyone turns into zombies, heroes save the day in the most ham fisted way, blah blah blah.

Of course, none of the character archs pay off. Least of all Bo Hopkins’, the alcoholic town sheriff with a dark past. Nevertheless, Hauser and Hopkins’ performances carry the day, ALMOST to the point where you don’t feel cheated out of your time or money.

Actually, I just LOVE saying ‘Wings Hauser’. It sounds like Wings of Desire, the 1987 Wim Wenders film. Then I imagine Wings Hauser being in Wings of Desire and it makes me happy. His might be my most favorite name of anyone who has ever had a name.

Wings Hauser

It’s not his birth name, but still…

klaus Kinski in your crawl space

I’m starting to really scrape the barrel of Tubi. I’ve probably seen every horror film from the 80s offered. So I might have to dip into some 90s and 2000s stuff soon.

This goes against my longstanding theory that it takes at least 30 years after the movie’s release before we can actually appreciate and judge its merits. Clearly I violated that policy by reviewing We Are The Flesh last week, but I only did that because I’m a disgusting pervert.

Yet, I have a duty to perform. And that duty is to find terrible and/or forgotten movies. I have to do what must be done.

The only thing of note I watched this week was a Dario Argento-produced joint called The Church. Really the only part that stuck out was it’s Philip Glass-inspired soundtrack. At one point, a woman is smashed to bits by a train to that inspiring score. If you’re a fan of Argento or Italian horror, this might be up your alley. Otherwise, fuck it.

The other film is Crawlspace starring Klaus Kinski.

Apparently this film has some notoriety, which I was unaware of when I started watching it. There’s even a short film called Please Kill Mr. Kinski that discusses the making of this movie.

Allegedly, Kinski was so disruptive on the set that the filmmakers tried to have him fired. Supposedly, a producer tried to have him killed (which wouldn’t be the first time someone tried to kill Kinski on a film set). The actor himself caught wind of this and became more disruptive.

But what about the movie itself? Is it any good?

Eh. It’s well made, I’ll say that much. Russian Roulette plays a big part in the story. And I give it bonus points for being really short.

But despite Kinski’s antics behind the scenes, he’s kinda subdued in a role about a Nazi doctor that rents out apartment rooms to unsuspecting women. Maybe I’m just used to watching Kinski be so insane that I forget that he was also an actor.

Anyways. That’s all I’ve got to say. Bye ✌️

“We are the flesh” broke my mind

So what if you came across some information about an alleged “horror” movie which featured unsimulated sex between two adult actors who were, by the way, playing siblings…AND this film happens to be on Tubi?

Would you go “nah I’m good?”

OR

Would you say “yup, that sounds right up my ally”?

Be honest now, God’s watching.

Unfortunately this movie hit me at the right time. Not because of the sibling fucking and rock hard penises (and some vagina) throughout, but because the film’s subject matter appears to be “truth” itself.

http://www.audienceseverywhere.net/we-are-the-flesh-is-a-work-of-near-brilliant-anti-art-depravity/

What’s We Are The Flesh about? I honestly don’t know. Click the link above if want to find out more. It’s a Mexican film. I didn’t watch it with subtitles on. And I don’t speak Spanish. 🤷‍♂️ Plus I’ve got a terrible memory.

Nevertheless, I think it got its point across, which makes it a success in my book.

As the review above stated, it will draw comparisons to other movies in the “shock film” genre, but it lacks a little less punch. That might come as a disappointment to horror film buffs, but I think this was done deliberately.

In fact, the movie concludes (if my memory is correct) with someone getting up from a completed orgy, leaving the set, and walking out onto a normal busy street.

I’m assuming that person was meant to be “us”…the audience…just getting up and leaving the theater then going about our normal day after watching an hour and 15 minutes worth of people fucking and occasionally killing/raping on a very claustrophobic set.

I don’t recall the violence being particularly brutal, at least compared to other films in this genre, but the sex, of course, was. At one point, we’re just staring at a bare vagina and anus and then a penis and ballsack.

Why?

I dunno.

But as the review pointed out, we’re being forced to ask ourselves if there’s any artistic merit to any of this.

“Sounds pretentious,” you might say. And I agree. But the film is slapping you across the face with this question…because you’re staring at a penis and vagina for a GOOD 30 seconds each…almost as if it’s a commentary on filmmaking itself!

When it comes to the finer philosophical points to the film, I’ll defer to the review, as it explains them in far better detail than I ever could. But this movie really did break my mind.

I’ve never seen any film…or any piece of art PERIOD (except for a piece of long fiction that I recently completed, which I might go into detail about at a later time)….say SO much while simultaneously saying absolutely NOTHING.

…much like how TRUTH itself operates.

Black roses (1988)

When a movie informs you that it’s a Shapiro-Glickenhaus production, you’re in for a ride. And Black Roses did not disappoint.

I’ve always been intrigued by the psychological/political dimensions of the 80s. Poltergeist kind of touches on this in the most subtle way, how family dynamics were altered during this decade. Black Roses picked up on this concept and ran with it.

The film shines a spotlight on the contradictions within Reagan-era politics: parents being appalled yet titillated by youth culture (and a complete lack of awareness that these tensions exist). The story of Black Roses centers on some “heavy metal” band coming to small town USA and corrupting its youth. The youth become demon-possessed and start killing their parents. Only a mustached English teacher stands in their way.

Of course, the band is entirely blamed for the “corruption”. Despite the shitty parenting throughout, the adults never once ask themselves: “are we to blame?”. But I guess parenting styles in the 1980s didn’t include things like paying attention to your children. Additionally, because parents were unable to take responsibility for themselves, we now have “culture wars”…which stem back to this decade…on which adults can use as a scapegoat for why they have shitty children.

Now I’m probably giving the filmmakers WAY to much credit for this analysis. They probably just wanted to show rock n’ roll and boobs with a few demons thrown in for good measure. But all good art is a reflection on the time it was produced. And Black Roses certainly pulls back the curtain on Reagan’s America.