“You’ve never gotten me laid,” an old friend used to say to me.
What do you want me to do? Hold your hand while I place your penis into her vagina?
“You’ve never gotten me laid,” an old friend used to say to me.
What do you want me to do? Hold your hand while I place your penis into her vagina?
Ever had a dream that made you wake up laughing?
So I was at a writer’s workshop where some dude was trying to get under my skin. Then we became best friends. Tom Brady also showed up because he was trying to get his acting career started. Why he was at a writer’s workshop was never explained.
Then, like a ghost from the past, appeared an old friend. In real life I haven’t spoken to him in nearly 15 years. His brother was actually my best friend and our friendship ended in the worst possible way: in a courtroom (we both lost btw). It’s one of my biggest regrets, and in truth, I dream about him often.
But his brother shows up, and I confide in him that I think highly of his sibling and I miss them both. In fact, I tell him that I am at this workshop because I am writing a fictionalized version of our friendship.
The Brother tells me that I can’t do that. I ask why and he disappears into a bookstore. I go looking for him and I find him with three small children. I ask him again why I can’t write the book. He tells me that his brother’s dead and that one of these children is his son.
It was a poignant moment in the dream. It reminded me of the passage of time, how we were once small children, and how we are now creating the next generation. I tell the Son of my best friend that I too have a son, how fortunate he is to have his uncle, and that his father was a good man.
The Brother disappears once again, and I help the Child find his uncle. As I walk with the Child, he tells me to not have regrets, and that he hopes to meet my son. I tell him that “that’s a very nice thing to say,” and that I hope they meet someday too.
Finally, we find his uncle standing outside. He’s with two men in suits. I tell the Brother that per his wishes, I won’t write the book. One of the men in suits spoke up and said “that’s a wise decision.”
“Are you an attorney?” I ask.
“What if I changed all the names and events? Can you sue me then?” I said.
“Well clearly he (my best friend) is everything that he’s not,” the lawyer replied. Whatever that meant.
I look over to the Brother. “Did you invite these guys here?” I ask.
“Well fuck it,” I said. “I’m writing the book.”
I then pointed at the lawyer’s shirt like he had a stain. When he looked down, I lifted my finger up to his face.
“Fuckin loser,” I said.
Then the dream ended.
“How much did it cost to ship that box?” my wife asked.
“I dunno, $10.99?”
“Then they fucked you.”
“In the ass or in the mouth?”
I couldn’t hit shit with my six shooter. I missed every target.
J Robert Oppenheimer’s 10 year old son, Malachi, watched and nodded his head. “Did you really know my father from the war?” he asked.
“Sure, why not?” I replied.
“Whose side did you fight for?”
“Uh, Abraham Lincoln’s?”
“963rd, 9th battalion, 4th infantry, uhmmm, at the Battle of Waterloo?”
“Did you get injured?”
“Oh yeah. All over.”
Malachi scratched his head. He knew I was full of shit. “Are you sure that you didn’t know my father from the future?” he asked.
“How do you know about that?”
“He has a time machine in the barn.”
Malachi took me into the barn and lifted a large tarp off a time weapon—a similar looking time weapon that sent Mr. Ree, Oppenheimer, and myself back to 1879.
“Does it work?” I asked Malachi.
“Of course. My father built it. He can make anything work.”
Oppenheimer stood at the entryway of the barn. “That’s enough Malachi,” he said. “You run along now.”
Malachi shook his head. “Yes father,” he said and went back to tending to his chores.
“Why didn’t you tell me about this, Bob?” I asked Oppenheimer.
“It doesn’t work.”
“Malachi says it does.”
Oppenheimer paced back and forth, rubbing his hand across his face. “Look,” he said, “we can go over this all day. Sure, I can send you to the future, the past, whatever. But it’s almost impossible to get you back to YOUR timeline. I’m sorry James. But we need to look at the present. You’re here. Mr. Ree is here. I need help. This community needs your help. Please help me. I can’t fight Dickleburg on my own.”
I thought through his words. “You love Malachi,” I said. “But did you know that I have a child back in that timeline? If there is a chance, however slim, to get back there, I have to take it. Wouldn’t you do the same if you were me?”
Oppenheimer nodded. “If I’m going to help you,” he said, “then we have to secure these goldmines. There’s a property in gold that makes these time weapons work. To secure the mines, we have to defeat Dickleburg.”
I pulled out my Korth 357.
“I’m no good with those six shooters,” I replied. “But I can shoot a fly’s dick off with this 357. Can you help me make more bullets?”
“That I can do.”
TO BE CONTINUED
“Shut up bitch!” I said.
Then she kicked me in the nuts with her pointed toe stilettos.
As I writhing in pain on the floor, Susan stood over me and said “I’m getting that job you limp dick bastard! Not you, not the board, not anyone can stand in my way!”
Susan stormed off and all my coworkers stood around. “I’m fine,” I said. “She barely knicked my ball sack.”
I crawled back to my office and shut the door. I took the bottle of vodka out of the refrigerator and placed it on my crotch. Bob Dickenburg came in laughing.
“Susan’s a firecracker isn’t she!” he said.
“To put it mildly,” I replied.
“Look, don’t worry about her,” Bob continued. “The board loves your work. You’re definitely getting that job.”
“I better. I’m gonna have to pay for scrotal surgery soon,” I said. I then lifted the bottle of vodka to my mouth.
“Well, we’re gonna announce the promotion on Monday. Go home, enjoy your weekend, and don’t worry yourself over it.”
I nodded to Bob as I swallowed the vodka. I didn’t get much work done that Friday afternoon. I got too drunk.
As I roared my Ferrari back home, almost hitting several motorists, I accidentally plowed my vehicle into a hooded figure. I grabbed my beer and exited the car to check on the person.
The figure laid on the ground, body parts were completely mangled. I kicked his side.
“Hey buddy, are you alright?” I asked.
The figure sat up and snapped his limbs back together. It was disgusting. Finally he stood up and removed the hood.
The man appeared to be blind. I figured that’s why he was standing in the middle of the road. He was ancient, like a warlock.
“You shouldn’t drink and drive,” the man said.
“Oh it’s okay, I’m rich.”
He then lifted his hands to my face and began chanting something in Latin, Greek, or some bullshit I didn’t understand. After standing there for a few moments, he lowered his hands and slowly wondered off.
“You don’t want any money out of my wallet?” I asked.
He didn’t reply.
I finished driving home. I stripped off my clothes, climbed in between the sheets, and fell fast asleep.
When I awoke the next morning, I wasn’t hungover. I also didn’t have rock hard morning wood. Something was amiss.
I sat up in bed and didn’t recognize the room. It was a woman’s room.
A nude man with a rubber mask came crawling in on all fours. He stood up, his partially erect penis inches from my face, and he handed over a cock cage.
“I’ve been a bad boy mommy,” he said.
I stood up and looked in the mirror. And there she was: her tall slender frame, small perky breast, and that stern resting bitch face.
I was Susan.
Or, more precisely, I was in Susan’s body. And presumably she was in mine.
“That fucking warlock,” I thought. “I hope Susan doesn’t look at my penis.”
I looked over to the nude man. “Sorry bro, I ain’t gay,” I said. I then threw on some clothes and sped over to my own apartment, expecting to find Susan in my body.
I stormed into my room, and there was me, or rather Susan as me, sitting prim and proper and drinking coffee.
“Look Susan,” I said, “I know that all of this is weird. But we can undo this. There’s a warlock I know that can put us back into our own bodies. Let’s go!”
“Why would I want to do that?” she, as me, asked.
“Well you’re me. I’m you. You know….”
“But I know that you’re the one getting that promotion. Or rather…I’M the one getting that promotion.”
“Susan, we don’t have time for this shit. We need to be looking for this warlock.”
(S)he took a drink of the coffee and slowly put the cup down. “I’ll cut you a deal,” (s)he said. “I’ll help you find this warlock, but first we should take time to appreciate this situation.”
“What do you mean?”
“I’ve done fellatio before, sure. But I’ve never had MY dick sucked…” (s)he said.
My heart began to sink.
“Will you suck my dick?” (s)he asked. “Or rather…will you suck YOUR dick?
TO BE CONTINUED
Shane by Jack Schaefer is good.
Not great. But good enough.
The film is clearly more influential (I’ve probably seen it, but I’ve drank a lot since then). Clint Eastwood was inspired by it. That’s obvious in Pale Rider, but Unforgiven has some echoes of it. Logan was also heavily under its influence but I don’t watch that kind of shit.
I’m intrigued by the subject of reality meeting myth. Which is why it’s high time for the book or film be updated into a “neo-western”, or whatever buzzword the kids are using, albeit with a more pessimistic ending.
The story is told from the perspective of a kid. And when we think of our childhood, we recall the magical times we had. But when we think objectively about it, we miss all the fucked up shit around us.
Remember that cool neighbor that would let you shoot his Glock? He was a registered sex offender.
Of course none of that occurs to you because you assume everyone is nice and pure.
Now I’d never write an updated version of Shane, I’d instantly lose interest. But maybe someone with more discipline would be willing to put pen to paper.
I imagine a story set during the Great Depression or some shit, where banks are harassing farmers and threatening to take their land. Then a mysterious stranger with a dark past comes into town and befriends a family.
The boy is instantly taken by the stranger. The father is handicapped in some form or fashion, unable to tend to his land properly, so the stranger steps up. The boy eventually begins to look up to the stranger more so than his father.
Then, of course, the banks and henchmen come in, threaten the townsfolk, blah blah blah…we all know the story: Shane essentially sacrifices himself, his death is ambiguous, and he achieves mythical status in the town.
But I’d like to see a more pessimistic conclusion. And as I think about it, my ending sort of resembles that of Blood Meridian: decades later, like the 1960s, the boy runs into Shane, very much alive, but the truth about him is revealed. Shane was nothing more than a drunken murderous hitman who actually cuckholded the father.
Naturally all of this went unnoticed by the boy, now a man, but he chooses instead to remember that summer as a magical time when a stranger came into town.
I’m sure that story has been told a million times. But good stories are worth retelling.
Of course I ain’t retelling it. I’ve got fart and cum jokes to write.
I love schlocky action films. I will always respect a movie that knows what it is and embraces it.
The John Wick films do a pretty respectable job at that. The scripts are laughably formulaic, a computer could have written them. That’s the way schlock is supposed to be: everything is supposed to be up on screen. I love the juxtaposition between violence and every day life. Even the casting of Keanu Reeves is a stroke of genius: he is an extraordinarily limited actor. When you see him, you know you’re not getting anything deep. He’s just there to kick ass and kill. Respect.
Sure, I talked shit about Keanu before. I don’t think I’m being controversial when I say that I don’t find him compelling usually. Not that he has to be. He’s a pretty boy that’s limited to certain roles.
It’s rare to find a true gritty action star, one that’s not necessarily being tongue in cheek, one that’s not a pretty boy, or trying to overly impress you with their physique.
I suppose Daniel Craig is such an actor. Jason Statham could be another. Maybe Bruce Willis at times.
But the best one was Charles Bronson.
For whatever reasons, I’ve been binging the fuck out his movies. Bronson’s stretch through the 70s was the greatest run of any action star. It’s hard to imagine an actor like him succeeding in modern Hollywood.
Contrary to popular perception, Charles Bronson could act. In fact, I’d say he was much more capable of handling emotionally intense scenes than Clint Eastwood, a contemporary of Bronson and an actor of similar caliber. Just watch Breakout or Mr. Majestyk. This is especially true when he’s playing opposite a female costar, specifically the romantic interest. There’s something about his glare that can carry those scenes.
Was Charles Bronson a good looking man?
Seriously, was he?
I like that ambiguity about him: a sex symbol whose appeal is derived from raw power and everyman looks. Daniel Craig, at least as James Bond, has similar appeal.
But, for me, the biggest appeal was that he wasn’t an actor’s actor. He had a workman approach to his craft. He knew exactly what he was creating. And the days of those actors are long LONG gone.
Unpopular opinion, but Bronson’s collaborations with Michael Winner are some of my least favorite, specifically Chato’s Land and The Mechanic. Winner seems to have overestimated his abilities as a director. (Death Wish III is an undeniable classic though) J. Lee Thompson was better suited to Bronson, specifically 10 to Midnight.
But anyway, Charles Bronson was the GOAT.
Sorry, I’m just chillin in Eastern Europe making questionable business decisions.
I’ll prolly get back to writing soon.
That is if I don’t get cut up, stuffed into a suitcase, and get thrown into the Volga River. You know how it goes.
Anyways, Namaste 🙏
And send me $50,000 through Venmo plz
“Bob,” I said, “you know us. Just set us free and we won’t cause trouble.”
Sheriff J Robert Oppenheimer locked Mr. Ree and me in jail. He sat behind his desk. He look tired, haggard, and was pounding a whiskey bottle.
“Sorry boys,” he replied. “But we have enough trouble with Dillon B Dickleburg coming into town and buying up all the gold mines. This town is a powder keg.”
“Well shit Bob! You are a man of science. You said that gold was a part of your time travel weapon. Just build another time machine and send us back to our timeline.”
“Like I said, even if I could do that, it’s highly improbable that I can get you back. In fact, it’s definitely impossible with 19th Century technology.”
“Have you even tried? Come on, you were a legend in our timeline. What happened to you?”
“You just don’t understand.”
A ten year old boy then walked into the jailhouse. He went up to Oppenheimer and gave him a hug.
“Who are these men papa?” the boy asked.
“These are just strangers Malachi, now go home to your mother. She’s been looking for you,” he replied.
The boy rushed out of the jailhouse.
“Ohh I get it now,” I said. “You’ve settled down. You traded in your lab coat for a badge.”
Oppenheimer put down the whiskey bottle.
“I arrived in this timeline through the spacetime ripple 15 years before you two showed up,” he said. “I met a woman, we settled down. I now have a son that I’d do anything to protect.”
“I’m just asking for your help,” I replied.
“I killed countless people with those damn nuclear weapons,” Oppenheimer continued. “Not again. I have an opportunity to do it right this time. I’m going to do whatever it takes to protect my family and this community from dangerous people like you.”
“Bob, please,” I said. “We’re not here to cause problems. In fact, if you need assistance handling this Dickleburg fellow, Mr. Ree and I can help.”
“You two have done enough damage.”
There was some commotion outside. I could hear one of the deputies ask “how can I help you Mr. Dickleburg?”
“Ah shit,” Oppenheimer said. He grabbed his shotgun and walked outside. “What seems to be the problem?” he asked.
“Mr. Rockwell up in them hills has been chasing us off that land,” I could hear Dickleburg saying.
“I’ll have you know, Mr. Dickleburg, that Mr. Rockwell is the rightful owner of that property. If he wants to chase you away, he’s well within his right,” Oppenheimer said.
“Why sheriff, all I want to do is offer him a business proposition.”
“Now Mr. Dickleburg, I’d advise you to leave that man alone. If you have a message for him, I’ll make sure he receives it.”
I could hear Dickleburg pull out his six shooter. “I own this town Sheriff,” he said. “I am the rightful owner of that property and all the property around it. That means I own you.”
I could hear the clicking of Oppenheimer’s shotgun. “The people of this town are the rightful owners,” he said. “You go back to that company of yours in Helena and you tell them that if they come back, there will be a bloodbath.”
“I’ll be back,” Dickleburg said. Him and his men galloped away on their horses.
Oppenheimer came back into the jailhouse. He took the keys, opened our jail cell, and handed back the 357.
“Men,” he said, “I now pronounce you deputies of Elkhorn, Montana.”
TO BE CONTINUED
“It’s hard being a gay man in the old west,” Mr. Ree said.
“Word. Wait…you’re gay?” I asked.
“Well I wouldn’t say I’m gay. But I exclusively have sex with men.”
I took a sip of whiskey. My mind was on other things.
We were in Montana. I reckon the year was 1879. Mr. Ree and myself have been stuck out of time, out of place, for the last two years.
Time travel does strange things to a man. For one, it strips you completely naked. Mr. Ree and me were found in San Francisco, ass to ass, behind a brothel on Haight Street when we emerged from the plasma ripple. But it does something else: you realize that everyone, and everything, you’ve ever known is out of reach.
I’ll never see Miriam again. Or my unborn child that I left back in another timeline.
But Mr. Ree maintained hope. “We might as well get filthy fucking rich,” he said. The gold mines in California were stripped by 1879. Resigned to our fate, we travelled to Elkhorn, Montana to start a new life.
As we sat in the local tavern, townsfolk glared at us. One burly man came up to our table.
“We haven’t seen your kind ‘round here before,” he said.
“We don’t take kindly to strangers. I reckon y’all better drink your whiskey and ride out before sundown.”
“Why don’t you mind your own business buddy?” I said. “We ain’t bothering you. How about you ride your fat ass back to your table?”
“Them are fightin words.”
“Damn right pal! You don’t want none of this!”
“Now gentlemen,” Mr. Ree interjected, “there’s nothing here that can’t be settled by a good old fashioned duel.”
The burly man nodded. “I’ll see you outside.”
“The fuck are you doing Mr. Ree?” I asked.
“Don’t worry about it. You got a Korth 357. You’ll blast his ass into the future,” he replied.
“Ree, this is 1879,” I said, “they don’t make bullets for this gun yet. I gotta conserve my ammo. Besides, wouldn’t I be disrupting the timeline?”
“Nah. According to J Robert Oppenheimer, this is a new timeline, remember? We can do whatever the fuck we want.”
I just shrugged and walked outside. The burly man was standing in the street. The townsfolk all stood around.
“Alright,” I said, “fastest draw wins, or however this bullshit works.”
The burly man opened his duster, exposing his six shooter. “Ready whenever you are,” he said.
We had a stare down. The townsfolk stood around nervously, waiting for the fireworks.
Suddenly he reached for his six shooter. I drew my 357. The sound thundered from my gun, echoing across the town and down through the mountains.
I shot off the burly man’s suspenders. His pants fell down, exposing his ass and penis.
I twirled the 357 and placed it back my holster.
Suddenly a shotgun blast went off. The townsfolk scattered. Out of the shadows appeared a man dressed in black. His spurs jingled as he walked towards us.
“I won’t have this nonsense in my town,” the man in black said.
I recognized the face.
“I’m James,” I said. “And this here is my partner, Mr. Ree.”
“I know who you are,” he replied. “And if you fire that gun again, I’ll shove this shotgun right up your ass.”
“Doesn’t sound like much of a threat,” I said.
He stepped a little closer.
Could it be?
“I’m Oppenheimer,” he said. “SHERIFF J. Robert Oppenheimer.”
TO BE CONTINUED