I always thought that collectively we had two choices: evolve to a Star Trek-like utopia where poverty, disease, prejudice, and war are eradicated—or take Ted Kaczynski’s advice and shun industrialized civilization altogether.
This middle ground that we’re hellbent on occupying is some bullshit though.
Heaven forbid if I call any of this out, however. Apparently my disdain for consumerism, narcissism, the eradication of public trust, and concern for unprecedented technological advancement on our psyche and relationships is no longer fashionable within Left/Right political framework.
It probably never was tbh
Where am I going with this?
Nowhere.
I’m as directionless as our collective consciousness.
Charles Jackson was an author that kinda got lost in the shuffle of 20th century alcoholic writers.
His life was tragic. Naturally.
Jackson appeared to have lived a mostly closeted life. He suffered from tuberculosis, losing a lung, which led to alcohol and substance abuse. He died of apparent suicide in 1968.
Blake Bailey wrote a biography of Jackson titles Farther and Wilder: The Lost Weekends and Literary Dreams of Charles Jackson. Unlike every other book I talk about here, I might actually read that one.
The Lost Weekend is Jackson’s most famous work. Billy Wilder adapted it into a film in 1945. While the book was successful upon its release, it is now largely forgotten in the American canon.
The second chapter of the The Lost Weekend is probably the most harrowing description of being an alcoholic ever written. And while I thought the book was fantastic as a whole, I actually found Jackson’s second novel The Fall of Valor to be much more engrossing.
And unfortunately it’s been totally forgotten.
The Fall of Valor is about a man vacationing with his wife in Nantucket who suddenly becomes obsessed with a recently married Marine captain on leave from World War II. The blatant homosexual overtones were ahead of their time upon its release in 1946, but the novel is powerful in its exploration on the dissolution of relationships and masculinity.
Jackson’s style can get a little long winded at times, which bogged down The Lost Weekend at certain points. But it pays off in second novel. Jackson was an astute observer of human nature. He’s seen the dark side and knows what people are thinking even when they aren’t aware of it themselves. All of this comes together in a heartbreaking conclusion for The Fall of Valor.
Then she kicked me in the nuts with her pointed toe stilettos.
As I writhing in pain on the floor, Susan stood over me and said “I’m getting that job you limp dick bastard! Not you, not the board, not anyone can stand in my way!”
Susan stormed off and all my coworkers stood around. “I’m fine,” I said. “She barely knicked my ball sack.”
I crawled back to my office and shut the door. I took the bottle of vodka out of the refrigerator and placed it on my crotch. Bob Dickenburg came in laughing.
“Susan’s a firecracker isn’t she!” he said.
“To put it mildly,” I replied.
“Look, don’t worry about her,” Bob continued. “The board loves your work. You’re definitely getting that job.”
“I better. I’m gonna have to pay for scrotal surgery soon,” I said. I then lifted the bottle of vodka to my mouth.
“Well, we’re gonna announce the promotion on Monday. Go home, enjoy your weekend, and don’t worry yourself over it.”
I nodded to Bob as I swallowed the vodka. I didn’t get much work done that Friday afternoon. I got too drunk.
As I roared my Ferrari back home, almost hitting several motorists, I accidentally plowed my vehicle into a hooded figure. I grabbed my beer and exited the car to check on the person.
The figure laid on the ground, body parts were completely mangled. I kicked his side.
“Hey buddy, are you alright?” I asked.
The figure sat up and snapped his limbs back together. It was disgusting. Finally he stood up and removed the hood.
The man appeared to be blind. I figured that’s why he was standing in the middle of the road. He was ancient, like a warlock.
“You shouldn’t drink and drive,” the man said.
“Oh it’s okay, I’m rich.”
He then lifted his hands to my face and began chanting something in Latin, Greek, or some bullshit I didn’t understand. After standing there for a few moments, he lowered his hands and slowly wondered off.
“You don’t want any money out of my wallet?” I asked.
He didn’t reply.
I finished driving home. I stripped off my clothes, climbed in between the sheets, and fell fast asleep.
When I awoke the next morning, I wasn’t hungover. I also didn’t have rock hard morning wood. Something was amiss.
I sat up in bed and didn’t recognize the room. It was a woman’s room.
A nude man with a rubber mask came crawling in on all fours. He stood up, his partially erect penis inches from my face, and he handed over a cock cage.
“I’ve been a bad boy mommy,” he said.
“Mommy?”
I stood up and looked in the mirror. And there she was: her tall slender frame, small perky breast, and that stern resting bitch face.
I was Susan.
Or, more precisely, I was in Susan’s body. And presumably she was in mine.
“That fucking warlock,” I thought. “I hope Susan doesn’t look at my penis.”
I looked over to the nude man. “Sorry bro, I ain’t gay,” I said. I then threw on some clothes and sped over to my own apartment, expecting to find Susan in my body.
I stormed into my room, and there was me, or rather Susan as me, sitting prim and proper and drinking coffee.
“Look Susan,” I said, “I know that all of this is weird. But we can undo this. There’s a warlock I know that can put us back into our own bodies. Let’s go!”
“Why would I want to do that?” she, as me, asked.
“Well you’re me. I’m you. You know….”
“But I know that you’re the one getting that promotion. Or rather…I’M the one getting that promotion.”
“Susan, we don’t have time for this shit. We need to be looking for this warlock.”
(S)he took a drink of the coffee and slowly put the cup down. “I’ll cut you a deal,” (s)he said. “I’ll help you find this warlock, but first we should take time to appreciate this situation.”
“What do you mean?”
“I’ve done fellatio before, sure. But I’ve never had MY dick sucked…” (s)he said.
My heart began to sink.
“Will you suck my dick?” (s)he asked. “Or rather…will you suck YOUR dick?
Damn it! I wish someone hadn’t stolen my copy of Merry Christmas, Mr. Lawrence.
It’s my favorite holiday movie!
Seriously though, it’s probably my favorite POW film. The first time you watch it, it’s kinda underwhelming. Certainly not the kind of thing you’d expect from the director of In the Realm of the Senses.
But it’s actually one of the rare films that get better the more you watch it.
David Bowie plays a British soldier, Jack Celliers, who is taken captive by the Japanese during WWII. The camp commander, played by Japanese musician Ryuichi Sakamoto, becomes obsessed with him. Bowie and Sakamoto, not known for their acting, actually carry the film quite well.
Meanwhile, Tom Conti’s Col. Lawrence and Takeshi Kitano’s Sgt. Hara have a contentious yet mutually admirable relationship.
The emotional highlight of the film is when Lawrence and Celliers get locked up and scheduled for execution. The two confide in each other some of their regrets. We’re shown flashbacks of Celliers high class upbringing and his relationship with his younger brother. Lucky for them, it’s Christmas. Sgt. Hara gets drunk and grants the two of them a reprieve.
“Merry Christmas, Mr. Lawrence,” Hara says.
At the conclusion of the film, the shoe’s on the other foot. Hara is a POW yet Lawrence is unable to prevent his execution.
Merry Christmas, Mr. Lawrence is unusual for a war film in that rather than focusing on death and carnage, it explores human relationships, understanding, love, and regret.
I just wish whoever borrowed my copy would return it 😢
I did exactly what I wanted to do for nine straight years: drink in excess.
So it’s hard for me to say that I regret nearly a decade of my life. There were some great fucking times.
But were there regrets? Situations I could’ve handled better? People I could’ve been nicer to?
Oh yeah! You bet!
The truth is, where I came from, I overstayed my welcome. A good friend told me, for my own well-being, that he better not see my face in these bars ever again.
He meant it.
I never returned. Never spoke with him again.
Some things are meant to be forgotten.
But I can’t help but think: do all my old friends hate me? Do they think about me as much as I think about them?
I suppose that we all separated for the better. It just nags me that there are those I spent years with, whose lives instantly got better once when I left.
Of course my life got better too when I left them.
Maybe I’m just overstating my self importance.
Maybe it’s hard for me to accept that time is gaining on me.
The film is clearly more influential (I’ve probably seen it, but I’ve drank a lot since then). Clint Eastwood was inspired by it. That’s obvious in Pale Rider, but Unforgiven has some echoes of it. Logan was also heavily under its influence but I don’t watch that kind of shit.
I’m intrigued by the subject of reality meeting myth. Which is why it’s high time for the book or film be updated into a “neo-western”, or whatever buzzword the kids are using, albeit with a more pessimistic ending.
The story is told from the perspective of a kid. And when we think of our childhood, we recall the magical times we had. But when we think objectively about it, we miss all the fucked up shit around us.
Remember that cool neighbor that would let you shoot his Glock? He was a registered sex offender.
Of course none of that occurs to you because you assume everyone is nice and pure.
Now I’d never write an updated version of Shane, I’d instantly lose interest. But maybe someone with more discipline would be willing to put pen to paper.
I imagine a story set during the Great Depression or some shit, where banks are harassing farmers and threatening to take their land. Then a mysterious stranger with a dark past comes into town and befriends a family.
The boy is instantly taken by the stranger. The father is handicapped in some form or fashion, unable to tend to his land properly, so the stranger steps up. The boy eventually begins to look up to the stranger more so than his father.
Then, of course, the banks and henchmen come in, threaten the townsfolk, blah blah blah…we all know the story: Shane essentially sacrifices himself, his death is ambiguous, and he achieves mythical status in the town.
But I’d like to see a more pessimistic conclusion. And as I think about it, my ending sort of resembles that of Blood Meridian: decades later, like the 1960s, the boy runs into Shane, very much alive, but the truth about him is revealed. Shane was nothing more than a drunken murderous hitman who actually cuckholded the father.
Naturally all of this went unnoticed by the boy, now a man, but he chooses instead to remember that summer as a magical time when a stranger came into town.
I’m sure that story has been told a million times. But good stories are worth retelling.
Of course I ain’t retelling it. I’ve got fart and cum jokes to write.
The Internet Ruined Everything 