Tag: Adam Friedland

An event happened

The world’s a better place because of The Adam Friedland Show. The worst member of the hugely influential Cumtown podcast has made quite a name for himself. Since its inception, TFS has had such notable guest like Neil DeGrasse Tyson and Chris Cuomo grace its halls.

Now it’s Paul Schrader’s turn in the chair.

I’ve long stated that Schrader is probably the greatest screenwriter of all time. To see him essentially do an episode of Cumtown sans Nick Mullen and Stavros Halkias is a bit much for my mind to handle. The episode begins with Friedland remaking Taxi Driver to a montage of a song called “Fuck me in my ass” and then showing the film to a Jewish producer from Louisiana named Gary Pennis Fagot. And while Schrader attempts to wax philosophical in his interview, Friedland steers the conversation towards the size of Willem Dafoe’s penis. The episode ends on an eyebrow raising discussion on pedophilia and Schrader announcing his need to take a shit/piss. It was everything that I hoped it would be.

I can’t wait for the interview with Barack Obama.

I’m old as shit

As I always tell my grandkids: “if I ever turn into an old cantankerous bastard that can’t accept change, shoot me and dump my body into the river.” And that’s why I’m still alive. Those kids will kill me at the first sign of senility.

Yet even my grandkids (who are 80 years old) will agree: comedy is dead.

Which is why jackass forever is such an anomaly; no social commentary, no pretensions of being something profound. It’s just a bunch of dudes smashing their dicks and shoving things up their ass for a laugh. In fact, kudos to Johnny Knoxville and the gang for not slowing down at their advanced age. The world needs comedy like this.

Sure, eventually I’ll get cancelled for my praise of Nick Mullen and Cumtown, but the man knows how to craft a joke on the fly. Of course everyone knows that Mullen (who is president of the DSA) and his sidekick Adam Friedland are NOTORIOUS leftists (however, The Adam Friedland Show is officially center-left), don’t let that fool you. Mullen is fully committed to the bit; he’s always playing a deranged version of his already deranged self. Forget “punching up or down”. The joke is supposed to be on him AND especially Friedland.

That level of commitment is gone in today’s comedy. So never let the mask slip. But mostly, I wish they’d bring back the gross-out comedies of the late 90/early 00s.

That was the one thing that era got right.