lawrence! merry christmas šŸ˜€

Damn it! I wish someone hadn’t stolen my copy of Merry Christmas, Mr. Lawrence.

It’s my favorite holiday movie!

Seriously though, it’s probably my favorite POW film. The first time you watch it, it’s kinda underwhelming. Certainly not the kind of thing you’d expect from the director of In the Realm of the Senses.

But it’s actually one of the rare films that get better the more you watch it.

David Bowie plays a British soldier, Jack Celliers, who is taken captive by the Japanese during WWII. The camp commander, played by Japanese musician Ryuichi Sakamoto, becomes obsessed with him. Bowie and Sakamoto, not known for their acting, actually carry the film quite well.

Meanwhile, Tom Conti’s Col. Lawrence and Takeshi Kitano’s Sgt. Hara have a contentious yet mutually admirable relationship.

The emotional highlight of the film is when Lawrence and Celliers get locked up and scheduled for execution. The two confide in each other some of their regrets. We’re shown flashbacks of Celliers high class upbringing and his relationship with his younger brother. Lucky for them, it’s Christmas. Sgt. Hara gets drunk and grants the two of them a reprieve.

ā€œMerry Christmas, Mr. Lawrence,ā€ Hara says.

At the conclusion of the film, the shoe’s on the other foot. Hara is a POW yet Lawrence is unable to prevent his execution.

Merry Christmas, Mr. Lawrence is unusual for a war film in that rather than focusing on death and carnage, it explores human relationships, understanding, love, and regret.

I just wish whoever borrowed my copy would return it 😢

That would make my fuckin Christmas!

midlife crisis

I ain’t gonna lie.

I did exactly what I wanted to do for nine straight years: drink in excess.

So it’s hard for me to say that I regret nearly a decade of my life. There were some great fucking times.

But were there regrets? Situations I could’ve handled better? People I could’ve been nicer to?

Oh yeah! You bet!

The truth is, where I came from, I overstayed my welcome. A good friend told me, for my own well-being, that he better not see my face in these bars ever again.

He meant it.

I never returned. Never spoke with him again.

Some things are meant to be forgotten.

But I can’t help but think: do all my old friends hate me? Do they think about me as much as I think about them?

I suppose that we all separated for the better. It just nags me that there are those I spent years with, whose lives instantly got better once when I left.

Of course my life got better too when I left them.

Maybe I’m just overstating my self importance.

Maybe it’s hard for me to accept that time is gaining on me.

writer’s block

ā€œGive me a ticket to the farthest away place you fly,ā€ I asked the airlines employees.

ā€œThat will be $38,762 sir,ā€ she replied.

I handed her my credit card.

ā€œWould you like to know where you’re going?ā€ she asked.

ā€œNopeā€

Hours later the plane landed. At the airport people were shitting on the floor and speaking a language I didn’t understand.

ā€œWhere is this shithole?ā€ I asked my cab driver.

ā€œThis is Indianapolis sir.ā€

THE END

100 Girls: was that—a movie?

Kids forget, but there was a time before 9/11.

No one’s proud of it. But it happened.

Evidence for such a decade is the 2000 film 100 Girls. It’s hard to believe they used to make movies like that.

The plot’s pretty simple: some dude in college loses his virginity in an elevator like it’s some big deal. Then he spends the rest of the movie looking for this mystery girl in a dormitory.

His roommate also has a fucked up penis.

If this was a typical boner comedy, it probably would have been standard background noise.

You see, discussions on the differences between men and women used to be ā€œinterestingā€ to people. Not to me though. I thought girls were just boys with vaginas and left it at that. I would know because I’ve definitely seen a vagina. But 20 years ago, people didn’t know that.

So there were things like The Man Show, Kevin Smith films, American Pie, etc. The difference is though, occasionally those things would be funny.

100 Girls attempts to elevate the formula. And the moral of the story is this:

ā€œGirls have boobs. But did you they also have personality? What a revelation!ā€

*Cue Bowling For Soup.

So be thankful that you live in a time of terrorism, pandemics, catastrophic climate change, massive wealth inequality, and dying democracies.

At least it isn’t the 90’s.

shane

Shane by Jack Schaefer is good.

Not great. But good enough.

The film is clearly more influential (I’ve probably seen it, but I’ve drank a lot since then). Clint Eastwood was inspired by it. That’s obvious in Pale Rider, but Unforgiven has some echoes of it. Logan was also heavily under its influence but I don’t watch that kind of shit.

I’m intrigued by the subject of reality meeting myth. Which is why it’s high time for the book or film be updated into a ā€œneo-westernā€, or whatever buzzword the kids are using, albeit with a more pessimistic ending.

The story is told from the perspective of a kid. And when we think of our childhood, we recall the magical times we had. But when we think objectively about it, we miss all the fucked up shit around us.

Remember that cool neighbor that would let you shoot his Glock? He was a registered sex offender.

Of course none of that occurs to you because you assume everyone is nice and pure.

Now I’d never write an updated version of Shane, I’d instantly lose interest. But maybe someone with more discipline would be willing to put pen to paper.

I imagine a story set during the Great Depression or some shit, where banks are harassing farmers and threatening to take their land. Then a mysterious stranger with a dark past comes into town and befriends a family.

The boy is instantly taken by the stranger. The father is handicapped in some form or fashion, unable to tend to his land properly, so the stranger steps up. The boy eventually begins to look up to the stranger more so than his father.

Then, of course, the banks and henchmen come in, threaten the townsfolk, blah blah blah…we all know the story: Shane essentially sacrifices himself, his death is ambiguous, and he achieves mythical status in the town.

But I’d like to see a more pessimistic conclusion. And as I think about it, my ending sort of resembles that of Blood Meridian: decades later, like the 1960s, the boy runs into Shane, very much alive, but the truth about him is revealed. Shane was nothing more than a drunken murderous hitman who actually cuckholded the father.

Naturally all of this went unnoticed by the boy, now a man, but he chooses instead to remember that summer as a magical time when a stranger came into town.

I’m sure that story has been told a million times. But good stories are worth retelling.

Of course I ain’t retelling it. I’ve got fart and cum jokes to write.

sex sucks too

I’ve never had an erection in my life.

I take viagra just for the hell of it.

When I masturbate, I look at clinical drawings of nude women. I get no pleasure out of it.

ā€œEver seen a naked woman?ā€

Nope.

ā€œA naked man?ā€

Of course. All the fellas enjoy each other’s bodies from time to time. Nothin gay about that.